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Showing posts with label Religious. Show all posts
Showing posts with label Religious. Show all posts

Rock Cut Cave Temples of Adavi Somanapalli

Rock Cut Cave Temples of Adavi Somanapalli locally known as Nainag Gullu located in a forest and one needs to walk 4km from Thadicherla on the hillock of Adavi Somanapalli, Malhar Rao Mandal, located 22km away from Manthani in Bhupalapally district, Telangana State, India.

Dates back to 5th - 6th century AD. To reach the caves, one has to trek through a jungle path from the Kataram–Manthani highway.

These are a group of four rock-cut cave temples facing west on the banks of Manair river. Locally, these shivalayas are called Naina Gullu. Unfortunately, it is partially in ruins owing to the inferior quality of the rock stone and natural calamities. These rock-cut temples resemble the famous cave temples of Moghalrajpuram near Vijayawada constructed by the Vishnukundins.

They were initially jain caves that were later converted into a Lord Shiva temple.

The first two temples have an ‘Ardhamandapa’, the ornate gateway or open hall that leads into the ‘Garbhagriha’ or sanctum sanctorum. “The striking feature is the ceiling with coloured paintings. Most of the paintings are lost, with with only traces of black, red, blue & yellow figurines remaining. We can make out scantilydressed men and women only till the thighs. These are richly adorned with crowns, necklaces, leaf-shaped earrings, heavy bracelets and yagnopavita or the sacred thread. We can also faintly see dancers, courtesans, battle-scenes, horsedrawn chariots, archers, palaces etc. The murals painted in the first rock-cut cave depict people in the kingly attire, archers, armed personnel, dancers, horses, palaces etc. The murals reminisce the style of Ajanta in Maharashtra. The second cave houses the sculpture of Mahishasuramardhini, which is in ruins.

The third rockcut temple only has an Ardhamandapa housing the statues of Lord Ganapati & a Dwarapalaka. The fourth temple has an incomplete inscription on the outer pillar of the Ardhamandapa. The inscription is in Telugu which belongs to either 10th or 11th century AD. 

The caves of Adavi Somanapalli under Malhar Rao Mandal that come alive only during Maha Shivarathri festival is otherwise disconnected from mainstream of life

Feb 25, 2018: 9th century rock art on temple whitewashed during shiva rathri celebrations. Following which, the State Archaeological Department swung into action and prepared a proposal to protect the indigenous art forms of the temple.


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Toli Masjid

Toli Masjid is located in Ramsingh Pura of the Karwan area of the Old City, on the road which connects Golconda Fort to Purana Pul, Hyderabad, Telangana State, India. It is popularly known as Damri Masjid among the local communities of this region. It is situated on the way to Charminar and just 2km from the Golconda Fort. It is the finest example of Qutub Shahi architecture. On ranks of architecture, this mosque scales next after Mecca Masjid of old city of Hyderabad. The Archeological Survey of India has declared this mosque as heritage site. It received the INTACH award.

In 1671 AD, Toli Masjid or Damri Masjid was built during the region of Abdullah Qutb Shah by Mir Musa Khan Mahaldar. He used the assistance of the royal architect of Sultan Abdullah Qutub Shah and the architect Mecca Masjid of old city of Hyderabad for building this particular mosque. According to the historians and local legends, in the royal records known as "Gulzar-e-Asafia", there is a special chapter that mentions that while the royal architect was built in a successful manner Mecca Masjid, he was granted one damdi/damri (coin) out of each and every rupee spend on it. The collected sum of amount was thus used by Musa Khan in order to construct Toli Masjid. So this mosque is also known as Damri Masjid by the locals.

It is listed as a state protected monument.The lands endowed to the mosque have been encroached, and the mosque is in a neglected condition.

In Toli Mosque, all the festive days and religious important events are marked with grand celebration with full participation of the local residents and people from both the states of Andhra Pradesh and Telangana. Muslim people is large number attend the Friday prayer with lot of dedication and commitment in a religious manner.

Architecture
The mosque displays considerable Hindu influences in it's style. These include the use of excessive ornamentation, as well as elements such as elephant-tusk brackets and pot-shaped bases for the minarets. The niches in the post and lintel style are similar to those in temples used to accommodate images. Additionally, the parapet wall is decorated with miniature minarets just as miniature shikharas are seen in temples

With a high plinth, Toli Masjid is perfectly built on a high raised platform. The mosque is largely divided into two big halls. It is to be remembered that the outer halls has five-arched openings. On the other hand, among five outer arches, the middle arch is wider slightly and more uniquely ornate. It is to be highly noted that two minarets of approximately 20 meters each rightly flank the edifice with a lot of perfection. On top, the parapets comprise a set of miniature arches with screens of perforated shapes of different special designs. With beautiful lotus medallions in the spandrels, there are five attractive arches. The unique inscription in the hall of prayer reveals that Musa Khan built this building structure for religious purpose. The upper portion of this particular mosque is attractively well-decorated in a religious manner. The parapet comprises of a set of arched with jali screens of different styles and patterns. All these said features adds additional beauty and attractiveness to this mosque when compared with other mosque of this region and rest of India. The local people give good respect to its architectural significance and have taken steps to preserve in its historical form in all means to a great extent.

Toli Masjid Stepwell
While the Telangana government restored the 17th century Bansilalpet stepwell to its former glory, the structure surrounding the 350-year-old stepwell, built as part of Toli Masjid during the reign of 7th Qutb Shah ruler Abduallah Qutub Shah, is in shambles.

As one enters the open premises of Toli Masjid in Ramsingh Pura of the Karwan area of the Old City, debris can be seen floating inside a walled structure filled with stagnated algae-covered green water.

The stepwell, which is approximately 35 metres deep and has a flight of around 130 steps inside, is now almost invisible because its surface is filled with algae water, liquor bottles, and furniture foam floating on the well's surface.

The stepwell, which is protected by the state heritage department, was built to supply water to the mosque. Locals recalled how water from the stepwell was used for drinking purposes around 50 years ago, and how children used to swim in the well, which was now dying slowly.

"People from nearby liquor shops have been dumping liquor bottles and even foam from the surrounding furniture workshops," said Abu Bakar Bakulka, pointing to the stepwell.

"Because the premises are unattended and unsupervised, there is no one to intervene and protect this centuries-old structure. People come and throw garbage after late evenings when no one is around."

Afzaluddin Farooqui, joint secretary of Toli Masjid Committee, stated that a complaint was filed with the relevant authorities about three years ago, but there was no response and no further action was taken.

"We filed a written complaint with the heritage department, requesting that the entire mosque area be protected and the stepwell be restored. Because the monument is a government-protected site, all activities are prohibited. We attempted to clean the stepwell but were denied due to the restrictions. The authorities are not taking any action, and we are not permitted to do any cleaning. The situation gets worse during monsoons when the stepwell overflows. The aquifers are still active inside the well, and if it is restored to its original state, water can be provided for the mosque again," Farooqui explained.

Authorities had only placed a concrete sheet over a portion of the stepwell, beneath which was a massive hollow indicating how the stepwell was collapsing on the inside.

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Badshahi Ashoorkhana

Badshahi Ashurkhana or Asurkhana or Ashoorkhana is located near Charminar in Hyderabad, Telangana State, India. 

An asoorkhana is a public space for Shia Muslims to gather on Muharram and mourn the martyrdom of Imam Hussain, the grandson of Prophet Muhammed, in the battle of Karbala.

1591: This ashoorkhana, used to be hospital called Dar-ul-Shifa built by Mohammed Quli Qutub Shah in 1591, constructed at the same time as the Charminar and Macca Masjid. For many years, the elaborate and imposing building that originally overlooked the Musi River was used as a hospital. However, the Nizam later moved the building for expansion purposes, and this location became Alawa -E-Sartouq.

In Arabic, and derived from it in Urdu, Turkish and Persian, dar al-shifa means "house of health", i.e. "hospital".

In 1594, Quli Qutb Shah later ordered that the relic (tauq) be incorporated into an Alam and install it at the old Darulshifa Hospital, now Ashoorkhana-E-Alawa-E- Sartouq Mubarak. Hundreds of devout Muslims visit the ashoorkhana. "The faithful come here in the hope that the water they drink would be beneficial for their health. Thursdays are particularly busy," according to Mir Yaver Ali, the ashoorkhana's caretaker. 

1611: The brilliantly coloured tile-mosaic decoration was completed under Abdullah Qutb Shah in 1611.

About 1,500 devotees visit the Ashoorkhana every Thursday. It is kept open round the clock during Muharram, and about 10,000 people visit it each of the first 10 days of the month of mourning.

The architecture with stone columns is unique in many aspects. The structure is built to minute details, special care has been given to proportions. Its high ceiling, gives the building a magnificent look. The vibrant enamel tiles and intricate hexagon designs have been maintained over four centuries.

The building consists of a Kaman, Naqqar Khana (where ceremonial drums are beaten), Niyaz Khana (where visitors are fed), Sarai Khana (place to rest), Abdar Khana (drinking water is stored), the chabutra (platform) and a guard room. The front aisle is made entirely of wood, as are the panelling of the flanking walls and the façade. All of these structures are now in various stages of dilapidation, neglect and disuse.

From a distance, the inside of the ashoorkhana seemed to be a decrepit, unassuming structure with what looked like crumbling coloured wallpaper. But a closer look revealed that the crumbling wallpaper was, in fact, enamelled mosaic tiles inlaid in ingenious Islamic-style patterns, which have covered the ashoorkhana’s interior walls since 1611. Created in haft-rang(seven colours) mainly with lapis blue and white tiles, the mosaic is exquisitely lain with Indian tones of mustard yellow, warm terracotta and vibrant green, forming incredible patterns that depict Shia Muslim symbology and are linked to the battle of Karbala. As art historians George Michell and Mark Zebrowski point out in their book Architecture and Art of the Deccan Sultanates, this is one of the most original decorative schemes of its kind anywhere in the Muslim world and has survived in stellar condition for over four centuries. The Qutb Shahis of Golconda were said to be the ultimate Deccani patrons of tilework and like their Turkish ancestors, were fervent Shias.

The tiles, arranged in large panels almost 3 metres high and over a metre wide had us craning our necks to decode the intricate artistry of the medieval Islamic civilisation of the Deccan. One of these represents a large calligraphic alam a religious metal standard (akin to a banner) that symbolises those carried by Hussain and his followers in battle which features bold, exquisite Arabic script, both right side round and mirror-reversed.

Along the adjacent walls lie staggered mosaic hexagons connected by arabesque swirls, and a panel showcasing what’s referred to as the ‘pot of plenty’ with flowers and vegetation emanating from a vase. To my eyes, it also seems to visually represent the overarching theme of the alam and the ashoorkhana being enduring symbols of remembrance.

The royal chronicles of the Qutb Shahi era mention tangible gold alams studded with jewels, but these no longer exist. Nevertheless, impressive brass alams decorated with fine Thuluth script, which post-date the Qutb Shahi period, are now brought out and installed only during the holy month of Muharram.

After the fall of the Qutb Shahi dynasty, during the rule of the Mughal Emperor Aurangzeb, in 1178 Hijri (about 1764 AD), the Ashoorkhana was converted into a bandikhana. For 80 years, it was used as a stable where horses were kept, before it was restored as a place of worship by the then mutawalli Mir Nawazish Ali Khan.

In 1908, the Ashoorkhana was badly affected by the Musi floods. The ashoorkhana was in six feet of water, and the tiles were completely submerged. These were later repaired and repainted.

The eight wooden pillars were reconstructed and the alams were reinstalled. During this time, the main entrance, Bab-e-Faiz-e-Imam-e-Alamiyan, was also constructed.

As per news reports, the caretaker of the ashoorkhana, Mir Abbas Ali Moosavi has been struggling with renovations to the premises due to political interference. But perhaps what is most crucial to preserving the cultural fabric of cities like Hyderabad is an awareness often supported by the research of historians like Lasania and his community of brimming academics of the narratives, art history and architecture that is all around us, coaxing us to seek beauty in structures long-forgotten.

Restoration
In 2011, the High Court pulled up the then state government and ordered removal of the encroachments inside the premises. A year later, the Central government gave Rs 80 lakh as grant to restore and repair the building. 

Sep 20, 2015 : Portion of Badshahi Ashoorkhana collapses

July 15, 2021 : Acting on directives of the High Court over a PIL regarding encroachments at the Baadshahi Ashoorkhana, KS Sreenivasa Raju, in-charge Director of Heritage Telangana, GHMC Commissioner Lokesh Kumar and representatives of the Aga Khan Trust for Culture, visited the monument near the Madina Circle in Old City on Wednesday. The Department of Heritage secured the monument for its protection and to prevent any encroachment. It now plans to undertake repairs to restore the originality of the historic structure

May 20, 2023 : The Telangana State government signed another memorandum of understanding (MoU) with the Aga Khan Trust for Culture (AKTC) to restore Saidanima’s tomb, Badhshahi Ashurkhana and Shaikpet Sarai. Of the three monuments, two are currently inaccessible to the public.


https://www.newindianexpress.com/cities/hyderabad/2021/jul/15/telangana-heritage-department-secures-ashoorkhana-2330237.html

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Qutb Shahi Heritage Park

Qutb Shahi Heritage Park in Hyderabad spread over 106-acres is located in the Ibrahim Bagh, close to the famous Golconda Fort in Hyderabad, Telangana State, India.

There are a total of 80 monuments, including 40 mausoleums of rulers of the Quli Qutb Shahi dynasty (1518-1687) , 23 mosques, seven baolis (step-wells), a hamam, pavilions, tanks, wells, garden structures and enclosure walls.

Qutub Shahi tombs were planned and built by Qutub Shahis. These were renovated by Salar Jung III, Mir Yousuf Ali Khan in the 19th century. Constructed on an elevated platform, these tombs are made up of grey granite. These are dome-structured and have quadrangular shape. Each tomb is surrounded by pointed arches and is of 9-15 meters in height from the platform. These pointed arches also add on to the beauty of these structures. Each tomb is also decorated with beautiful ornamentation. 

The most important yet the most modest tomb is considered to be of Sultan Quli Qutub-ul-Mulk, who is the founder of Qutub Shahi Dynasty. He not only built his tomb himself but is also said to be the longest supervisor of this magnificent architectural project. It was also his decision to build the tombs on non-ruling royal family members as well such as of nephews, nieces, and sisters.

The Qutb Shahi tombs complex consists of 30 tombs, mosques and a mortuary bath. The tombs belong to the rulers of the Qutb Shahi Dynasty, their queens and children and the nobles who faithfully served them. It contains the epigraphically documented tombs of five of the dynasty's seven sultans, as well as those of another four members of the royal family, spanning the 130-year period from 1543 to 1672. The Qutb Shahi tombs collectively constitute an outstanding example of an Indo-Muslim dynastic necropolis and is the most extensive and best epigraphically documented in all of India.

Qutb Shahi dynasty ruled the region from 1518 A.D. to 1687 A.D. Qutb Shahi Islamic Sultanate was one of the five prominent dynasties that emerged in the Deccan following the downfall of the Bahmani Dynasty in 1518 A.D. Seven rulers of the Dynasty ruled for 170 years and successfully resisted the Mughal attack till 1687 A.D. It was the last kingdom to be absorbed in the expanding Mughal Empire.

Qutb Shahi monuments provide a unique testimony to the vibrant cosmopolitanism that characterized the medieval period in India and in the Deccan region in particular. Other Deccani sultanates were similarly multi-ethnic and multi-lingual, but the Qutb Shahi Sultanate appears to have been at the forefront of this cosmopolitanism. The founder of the dynasty and many influential nobles were immigrants from Iran. The success of the Qutb Shahi state depended critically on the ability of these "westerners" (gharbian) to form alliances both with members of the deeply rooted class of Deccani Muslims, and the local Telugu-speaking Hindu elite. In a manner that is more striking than at any other site, the Qutb Shahi monuments reveal the innovative and inspired blending of Persianate and Indic cultures that flowed from the successful integration of this multi-ethnic society.

The group of Qutb Shahi tombs constitutes an outstanding example of an Indo-Muslim dynastic necropolis. Although many other Indo-Muslim dynasties also produced such necropolises, that of the Qutb Shahis is unique on three counts. First, it is a more complete dynastic complex than any other in India, as it unites in one location the tombs of five of the dynasty's seven rulers as well as four other identified members of the royal family. Second, its chronological span of 130 years is longer than that of any other documented necropolis in India. Third, because of these first two factors, the necropolis provides unique testimony not only for the stylistic development of Qutb Shahi architecture, but also for the dynastic politics within the family.

Because the Qutb Shahi necropolis includes nine tombs of members of the royal family, all firmly datable by means of their epitaph inscriptions, the complex affords the best controlled means of understanding the developing Qutb Shahi architectural style and its chronology. The earliest tomb-that of the dynasty's founder Sultan Quli (d.1543)-reveals its dependence on late Bahmani traditions of tomb design, while the tomb of the next to last ruler, Abdullah (d.1672) exhibits all of the distinctive qualities of the fully formed Qutb Shahi style. In between, every intermediate stage is represented, and several unusual variants as well, including the tomb of Muhammad Quli (d.1612) with its Iranian-inspired post and beam porticoes (talar), and the so-called tomb of Jamsheed (d.1550) with its unusual two-storeyed octagonal plan.

The complex also provides invaluable evidence shedding light on the nature of dynastic politics within the Qutb Shahi family. Tombs were built not only for the ruling sultans, but also for their wives and consorts, and for sons who were excluded from the succession. The spatial relationships between these various tombs are often highly instructive. Thus, until the 1620s, the original necropolis was confined to the southwestern block of the present enclosure and contained the monumental tombs of Sultan Quli (d.1543), Ibrahim (d. 1580), and Muhammad Quli (d.1612). Additionally, there was the small tomb of Ibrahim's son, Mirza Muhammad Amin (d.1596), which occupied the same terrace as his father's tomb, and numerous smaller tombs lacking inscriptions and most likely belonging to various members of the Qutb Shahi elite. Although this area also contains two structures that are popularly identified as the tombs of the Sultans Jamsheed (d. 1550) and Subhan (d.1550) -with whom Ibrahim fought a succession dispute-neither contains epitaphs confirming this identification, and moreover, they are built in the fully developed style of the mid-seventeenth century, making it impossible that they should belong to these two rulers. At least during the sixteenth century, it would appear that Jamsheed and his son Subhan were excluded from the royal necropolis, as if to deny that their reigns had ever occurred.

Restoration
Qutb Shahi Tombs also known as ‘Seven Tombs’ get UNESCO World Heritage recognition for its conservation of six stepwells (Baolis). UNESCO awarded the 2022 award of distinction to the royal necropolis.

In January 2013, an MoU was signed between the Department of Archaeology and Museums (now Heritage Telangana), the Quli Qutb Shah Urban Development Authority, Aga Khan Foundation and the Aga Khan Trust for Culture for conservation and landscape development of the tomb complex. The funds came from AKTC, Tata Trust, US Ambassadors Fund for Cultural Preservation, IndiGo CSR, and the German Embassy. No funds have been sought from the government.

In recovering the stepwells and associated aqueducts from a state of neglect and partial ruins, the project has revived the function of the historic waterworks of irrigating the surrounding orchards and forests, thus enabling the holistic restoration of the historic landscape,” said the UN body.

Ratish Nanda is the Projects Director of Aga Khan Trust for Culture, India. The landscape master plan for Qutb Shahi Tombs was developed by architect M. Shaheer, who envisaged the 106-acre complex into three zone the archaeological zone, a visitor facility zone and an ecological zone. “We have not buried archaeological remains, rather have tried to preserve the sanctity in the best way possible,” said Nanda, speaking about the elaborate design patterns involving dragons and birds that were unearthed.

But when you restore a landscape, you don’t just look at the monuments. An exhaustive tree survey was undertaken that mapped 3,300 existing trees covering 72 species. Over 2,000 tree saplings have been planted along the edge of the site to create a natural buffer.

Over 2,500 measured drawings, condition reports, topographical survey of the 106 acres and more went into the Hyderabad restoration plan. And you cannot rebuild history without archives. A sustained effort at archival research has already led to the collection of over 500 images—some dating back to the 1860s. While a major part of the restoration, which began in 2013, has been completed, the pandemic and multiple litigations have pushed the deadline from 10 years to 14 years now.

The stepwells Badi Baoli, Hamam Baoli, Baug Baoli, Mashriqi (eastern) Baoli, Maghribi (western) Baoli and Eidgah Baoli were all believed to have been constructed between 16th and 17th century under the first ruler of Qutb Shahi dynasty Sultan Qutb-ul-Mulk.

19th April 2018 : Known as one of the largest necropoleis in the world, Qutb Shahi Heritage park is open for public viewing after an elaborate restoration. It is said to have taken 50 layers of whitewash to surface the intricate detailing of this 16th-century seven-arch arcade. This heritage park also has a Persian Hamam which was used as a mortuary bath in olden days and is considered as one of the finest Persian Hamams. Ever since it opened its gates for public viewing on April 18th, it’s being thronged by visitors and historians who are gladly exploring the beauty of the monuments. The Qutub Shahi Tombs are also undergoing a restoration and the idea is to revive the natural architecture from the times they were built. The heritage park is perfect for the individuals who are interested in exploring the historical significance of the city. We think you should quickly make a visit to the park and witness the grandeur of the monuments that withstood the test of time.

Sep 15, 2022: Newly-arrived US Consul General Jennifer Larson and IT Minister KT Rama Rao on Thursday visited the historic Qutb Shahi Heritage Park Complex to mark the completion of a $112,560 conservation project funded by the US Consulate and conducted by the Aga Khan Trust for Culture. The project supports the conservation of five stepwells inside the Tombs Complex, which will conserve 15 million litres of rainwater during monsoon and provide for the water needs of the 106-acre Heritage Park.

Timings are from 9.30 am to 4.30 pm and closed on Friday.

The entry fee for the tombs is only Rs. 10 per person and for children it is Rs. 5 per person. If interested in taking photographs, you are required to pay minimal fee Rs. 20 for each camera.

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Dakshin Ke Badrinath Temple, Hyderabad

Dakshin Badrinath replica of original Badrinath Temple popularly known Badrivishal Dham temple is located 40 kms from hyderabad in Plot No. 33/34, Sai Baba Enclave, GPR Housing Venture, Banda Mailaram, Mulug, Medichal District, Telangana 502336, India.

This temple for lord Badrinarayan has been constructed by Uttarakhand Kalyankari Sanstha, a registered society formed by people of Uttarakhand residing or serving in Hyderabad.

The two-storey temple occupies 6,750 square feet and stands 50 feet tall, same as the temple in Badrinath, Uttarakhand. The ground floor has a hall which can seat 350 people.

On the first floor is the idol of Lord Badrinath. It will also have idols of Lord Ganesh, Kuber, Balram, Godeess Lakshmi, Nar-Narayan, Narada, and Garuda. Separate temples have been built for Lord Ganesh, Goddess Lakshmi and the Navagrahas in the premises.

The temple's elevation will be 100% as the original Badrinath temple in Uttarakhand which will be a replica of Shri Badri Vishal Dham, in Hyderabad, State of Telangana.

Uttarakhand Kalyankari Sanstha for the first time in the history of Hyderabad introducing to the people of Telangana the culture and traditions of Garhwal & Kumaon of Uttarakhand State. The Telangana State is now Karm Bhoomi for nearly 25,000 Uttarakhandi Families residing since four generations.

Temple Timings
Monday to Friday - 8 AM to 12.30 PM and 4 PM to 7.30 APM
Saturday and Sunday - 8 AM to 12.30 PM and 3 PM to 7.30 APM
Phone Number :  09866396287


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Jagannath Temple, Hyderabad

The Jagannath Temple in Hyderabad, is located in Plot No-1269, Road 12, Banjara Hills, Hyderabad ,Telangana State, India is a modern temple built by the Odia community of the city of Hyderabad dedicated to the Hindu God Jagannath.

The Temple has been built by Kalinga Cultural Trust and consecrated in March 2009. The Temple is a replica of the Puri Jagannath Temple with close resemblance to it in many aspects famous for its annual Rathyatra festival attended by thousands of devotees. Jagannath means Lord of the Universe. 

The temple strictly adheres to the principles of sanctity, equity, discipline and cleanliness. The temple is an architectural delight and is a destination to experience peace and tranquility. The temple premise vibrates with the energy of the divine and renders an unique and unforgettable feeling. Enter the precincts of the Majestic Lord Jagannath Temple at Road No.12, Banjara Hills, Hyderabad and you will like to visit again and again being drawn closer to the God.

The idea of the Temple at the present location at Hyderabad was mooted in 1992 by a small group of Odias having deep reverence for "Lord Jagannath the highest expression of God and symbol of cosmic energy. Years passed by Homas, Yagnas, Pujas, Kirtans to invoke blessings of the Lord for construction of the Holy Temple went futile. Time was probably not ripe and God not unwilling. It was only in 2004; a series of unexpected development resulted in commencement of construction of the magnificent Temple as Artisans & Sculptors landed up on their own to complete the mission as if ordained by God. More than 100 devoted workers toiled for about five years and the construction of the main Temple and Temple for Lord Ganesh, Anjaneya Swamy, Maa Vimala, Maa Laxmi, Lord Shiva and Nabagrah was completed in March 2009. The Temple replicates the Puri Jagannath Temple with Vimana/Devla (Garbha Gruha), Mukhashala (Jagan Mohan), Nata Mandir (dancing hall) and Bhoga mandap (offering enclave). The intricate stone carvings, craftsmanship, sculptures of the temple arouse unique aesthetic feelings in devotees. The upa-Devalayams are equally spectacular and arouses spiritual feelings. The mythological and religious murals on the boundary wall consisting of history of construction of the Jagannath temple at Puri, Dasha Avatar and mysteries and miracles of God and Goddesses in different form and stage are educative and enlightening. The lighting of the temple has been artistically planned and gives a spectacular appearance at night.

Lord Jagannath, Balabhadra and Subhadra adorn the sanctum sanctorum of the main temple the Mukhya devalayam. The upa-devalayam of Lord Ganesh, Maa Vimala, Maa Laxmi, Sri Anjaneya Swamy, Lord Shiva (Kasi Viswanath) and Navagrahas deeply enhance the spiritual temper of the devotees.

Shree Jagannath i.e. Jagat (the universe), Nath (the Lord) the Lord of the Universe is the manifestation of knowledge, power, majesty, strength, energy and self-sufficiency. He is the remover of sin, savior of the fallen soul and giver of salvation. Lord of the masses and Lord of the suffering humanity, He responds to all beyond the barrier of the caste, creed, religion faith and race.

The Temple with beautiful murals, intricate architecture, serene ambience and abundant spirituality attract huge visitors and also is a sought after destination for pilgrims on important occasions. Jagannath Nilayam, constructed by the Trust adjacent to the Temple provides excellent accommodation to the Temple staff and volunteers associated with the temple activities. CHAKADOLA- A unique Light and Sound Show on Jagannath Cult introduced in 2018 in the premises of the temple has been the cynosure of all activities associated with the temple. Created through a distinct Video Mapping Technology, it takes the viewers through the breath-taking journey of evolution of the Jagannath Cult. The Mahaprasad offered in the temple premises provides a heavenly experience to the taste buds of the devotees.


Architecture and Upa Devalayams

The Temple is a replica of original Lord Jagannath Temple located at Shree Kshetra Puri with sanctum sanctorum (Vimana), the Mukhashala (Jagan Mohan), the Nata Mandir (Dancing Hall) and the Bhoga Mandir (the offering conclave). The Temple premises also pride itself with Upa devalayams and shrines of Lord Ganesh, Lord Kasi Viswanath, Maa Vimala, Maa Laxmi, Lord Hanuman and the Navagrahas.

The Temple is impressive standing tall at 72 ft as against 214 ft at Puri with intricate stone carvings, sculptures arousing aesthetic and divine feeling in devotees. The Temple is built by master craftsmen using tons of sand stone brought from Odisha and cement brick and mortars. The shrines of Lord Shiva (Kasi Viswanath), Lord Ganesh, Maa Vimala, Maa Laxmi, Shree Anjaneya Swamy and Navagrahas enclave are beautifully structured built with similar architectural aesthetics of Konark Temple. The Temple is spread over about 2500 sq yards as against 10.7 acres of Jagannath Dham Puri and facing east. There is enough circulation space around the Temple for "Pradakshana" by devotees.

The craftsmanship, carvings and murals on mythological themes on the compound wall of the Temple are unique and gives lot of insights in to several religious references and anecdotes. A very well maintained Temple with exemplary cleanliness is visited by thousands of devotees during week days and festivals. In a short period this temple has also become one of the best destinations for the tourist visiting Hyderabad.

The temple environment is very serene tranquil and peaceful. The cleanliness and sanctity is to be experienced. The vibrations touch the soul of the devotees especially on a visit in the morning or evening. A committed team of volunteers, karsevaks, archakas and executives keep alive the temple traditions of Odisha to the delight of devotees.

The main temple is curvilinear and crowing the top is Srichakra or Nilachakra (an eight spoke wheel of Vishnu) made out of Ashtadhatu and is considered sacrosanct.

The pyramidal roof of surrounding temple rise in steps towards the tower like a ridge of mountain peak.

Five other Holy Shrines of Lord Kasi Viswanath, Ganesh, Maa Vimala, Laxmi and Anjaneya Swamy and the mandapam of Navagraha which are also located within the premises resembles the architectural beauty of the main temple like a mountain with ridges like steps. Some devotees find resemblance of these temples with pagoda shape of remains of the famous Sun Temple of Konark in Odisha. The sculpture and designs are very impressive and are viewers delight. These temples get illuminated during the nights. The idols of deities are of stone unlike that of the triad of Lord Jagannath, Balabhadra and Subhadra made out of wood. The stone idols are cladded with silver ornaments during festive occasions. Devotees have the scope for Pradakshyana around each of the temple. Sufficient circulation area is available in front of each of these temples for free movement of devotees. These temple timings are co-terminus with the timings of the main temple.
UPA-Devalayas: (Other shrines)

Five other Holy Shrines of Lord Kasi Viswanath, Ganesh, Maa Vimala, Laxmi and Anjaneya Swamy are located within the premises of Lord Jagannath temple. The mandapam of Navagraha is also located within the premises. These upa-devalayams resembles the architectural beauty of the main temple like a mountain with ridges like steps. Some devotees find resemblance of these temples with pagoda shape of remains of the famous Sun Temple of Konark in Odisha. The sculpture and designs are very impressive and are viewers delight. These temples get illuminated during the nights. The idols of deities are of stone unlike that of the triad of Lord Jagannath, Balabhadra and Subhadra made out of wood. The stone idols are cladded with silver ornaments during festive occasions. Devotees have the scope for Pradakshyana around each of the temple. Sufficient circulation area is available in front of each of these temples for free movement of devotees. These temple timings are co-terminus with the timings of the main temple.


Significant Structure

COMPOUND WALL (The Meghanada pacheri): The Main temple and other shrines of Lord Ganesh, Kasivishwanah, Maa Laxmi, Bimala, Anjaneya swamy and Navagrahas are surrounded by wall adorned with mythological and religious Murals. The Murals are excellent pieces of art and are educative. The murals on the exterior wall near eastern gate- the singha dwara depict the story of construction of Jagannath temple in additions to several other depictions. The Dasavatar is one of the best attractions on the inside of the outer wall.
Dwaras (Entrances)

SIMHA DWARA: (Lions Gate or eastern gate) - It is one of the four entrances to the temple and considered the main entry. It is named so as on either side there are two colossal statues of couching lion with crowns on their head. The gate faces east and therefore is also known as Purva Dwara or the eastern gate. The gate is intricately designed and carved and is of artistic finery and beauty. During Ratha Jatra the idols of Lord Jagannath, Balabhadra and Maa Subhadra is taken out to the chariot through this gate. The statue of Lord Mahalaxmi is at the top of the door. The door symbolizes the principle of Dharma and also the majesty of strength through the lion.

VYAGHRA DWARA: The Western door (Tiger gate) is guarded by two statues of Tiger is also known as Paschima dwara or Vyaghra dwara. It symbolizes Mokshya and Vairagya (Renunciation) and energy by different schools of believers.

HATHI DWARA: The northern door, the hathi dwara or Uttara Dwara is also symbolically indicated in this temple in view of constraint of access to temple from Northern side. This gate represents artha or prosperity different believers.

ASWA DWARA: The southern gate is guarded by two statues of horses. This Aswa dwara symbolically represent Kama or Gyana (Knowledge) or military powers.

Navagraha statues are placed on the all the gates in addition to small images of Shiva, Vishnu, Hanuman, Durga and Narasimha.

ARUNA STAMBHA: The pillar is named after Aruna the charioteer of the Sun God. In Puri it is a sixteen sided pillar (Height 25' 2'') circumference 6' 3.5". Aruna in prayer mode. An elegant and master piece of art.

It is placed before the temple as the Sun God is considered identical with Vishnu from Vedic times.

An Aruna stamba cladded with carved and designed brass plates adorn the Jagannath Temple at Hyderabad. Artistic and imposing it stands tall at 20 feet.

BAISI PAHACHA (Twenty two steps):

After entering the temple premises from the eastern gate one needs to climb 22 steps to proceed towards sanctum sanctorum of Lord Jagannath. In Puri temple each of these steps are 70ft in length 6ft in width and 6 to 7 inches in height. Here the steps are symbolic and does not confirm to this measurement. The steps are given a lot of divine significance and considered auspicious for numeracy holy activities. It is believed that during the car festival several Gods, Goddesses, demigods heavenly entities, souls of ancestors, Chitragupta and Yamadootas descend upon these steps to witness the Pahandi of Lord Jagannath during the Ratha Jatra/ Car festival.

Madan Mohan the representative idol of Lord Jagannath offers pindadana on these steps to His ancestors-Nanda and Yashoda, Devaki and Vasudeva, Koushalya and Dasaratha on chaturdashi theethi of the dark fortnight in the month of Margasira. He also offers pindadana to King Indradyumna who built the temple and queen Gundicha since they were childless. The steps are also called steps of self control as these steps represent 22 kinds of faults and weaknesses in human being.

Put a speck of dust from the surface of these steps on your forehead you get a sense of fulfillment and all your sins will disappear.

Children are made to roll down on the steps to bring them spiritual bliss and happiness.

Each of these sacred steps is named differently as:

1) Tidva 2)Kumundati 3) Manda 4) Chalobati 5)Dayabati 6) Rajani 7) Ratika 8) Raohi 9)Krodha 10)Bajrika 11)Prasavani 12) Priti 13)Marjana 14)Khati 15)Rakta 16)Sandhipani 17)Alapani 18)Mandanti 19)Rohini 20) Gamya 21)Ugra 22)Khorini

Crossing of 22 steps means crossing the 22 short comings to see the Lord. The short comings (Para Prakriti) are Kama, Sambhoga, Keli, Lova, Sancaya, Kosa or Panjikarana, Abhamaya, Himsa, Ersa, Kisunata, Kapata, Mithya, Hhuna, Ninda, Ajanta, Krodha , Raga, Dvesa, Ahankar, Mada or Parba, Uthkantha, Maithuna.

It is also believed that Baikuntha the abode of Lord Vishnu is situated above saptaloka, sapta patala and asta baikuntha (22 stages) one has to cross them to reach the Lord. Thus the steps in the temple to take the devotees to sanctum to have his Darshan.

Hyderabad temple also has 22 steps leading to Garuda stamba and to sanctum there after though not of same specification as that of Puri Temple.

GARUDA STAMBHA: Cosmic column which joins heaven and earth. Garuda is a vehicle of Lord Vishnu. Garuda is ever ready to serve the Lord with exemplary devotion and extraordinary power. Garuda is constantly watching the Lord on the Ratnavedi. Garuda Deva is installed on the column made out of wood and cladded with intricately woven brass at the entrance of Nata Mandir. The devotees before proceeding towards the sanctum touch and go into extraordinary devotion and a state of surrender to the Lord. A mere touch is assuring and arouses a cosmic connect with the devotee. Garuda Stambha is of same importance as Nandi in Shiva temple.

NILA CHAKRA: The Neela chakra or the Blue Wheel adorns the top of the temple. The wheel symbolizes the Sudarshan Chakra, the most powerful disc weapon of Lord Vishnu. The wheel is made out of alloys of eight metals consisting of iron, copper, Zinc, mercury, lead, brass, silver and gold.

The Neela chakra in Puri temple weighs 2200 Kgs and has a height of 11 ft 8 inches with a diameter of 7ft 6inches. There are 8 wheel bars in the chakra. The Neela chakra has eight Navagunjaras carved in the outer circumference all facing towards the flag post above. The Neela chakra in this temple is much similar but small in size and about 2'X3' in width and height and weighs about 100 Kgs.

Flag is flown tied to the mast attached to Nilachakra. It is a pious and holy act to offer the flags to the temple. The flags usually are in deep red or yellow in colour with crescent Moon and a Sun in white colour cloth in centre of flag. The flag changing ceremony is a breath taking exercise and a great attraction for the devotees.


Emergence of Lord Jagannath
According to Mahabharata, the Kurukshetra war resulted in the death of all the 100 sons of Gandhari. On the night before Duryodhana's death, Lord Krishna visited Gandhari to offer condolences. Gandhari felt that Lord Krishna knowingly did not put an end to the war. In a fit of rage and sorrow Gandhari cursed that Krishna along with everyone else from "Yadu" dynasty would perish after 36 years. Krishna himself knew and wanted this to happen as he felt that Yadavas have become "Adharmi" so he ended Gandhari's speech by saying Thathastu.

Later at a festival fight broke out between Yadavas who killed each other. His elder brother Balaram gave up his body using Yoga. Krishna retired into the forest and started meditating under a tree. The hunter"Jara Sabar" mistook Krishna's partly visible left foot for that of a Deer and shot an arrow wounding and killing him. When Jara realized he wept for the mistake on which Krishna told Jara "O Jara you were Vaali in your previous birth, killed by myself as Rama in Tretaya Yuga. You are reincarnated as hunter in Dwapara Yuga and had a chance to revenge your killing and since all acts are desired by me you need not worry for this.

On hearing this terrible news the five Pandava brothers quickly arrived on the scene. Lord Krishna gave them some good advices and took away heavenly power of Krishnakala from Arjun the best of Archer when Arjun pulled out the arrow from the wounded Lord Krishna. Lord Krishna left his mortarial body. The Pandavas carried the body to the Bay of Bengal and cremated there. The whole body was destroyed except for the heart which remained intact and indestructic. The body was thrown in to the sea.

Jara was watching the scene of obsequies in agony. He followed this unburnt part thrown in to the sea emanating brilliant luster, but finally able to fetch it. He was surprised that unburnt part had turned into blue stone. This blue stone was worshipped by him in a cave secretly and thereafter by his family heads in succession and continued till Sabar chief Viswabasu.

Nilamadhav was worshipped in secrecy and in deep forest. Even "Devatas" used to come at night and worship Lord Nilamadhav.

In the meanwhile Raja Indradyumna (Indradyumna a legendary figure and his historicity cannot be established on any safe frowned). King of Solar dynasty in Satyayuga ruling the city of Avanti an Malaya a great devotee of Lord Vishnu came to know of Nilamadhav and wanted to consecrate the extraordinary deity of Lord Vishnu. He deputed Brahmi Priest Vidyapati who married the daughter of Sabar Chief stain and marked the route to the cave through mustard seeds while being taken blind folded where Nilamadhav was being worshipped. After locating the route he returned to Avanti and informed the king Indradyumna about Nilamadhav. The King with his army accompanied by "Narada" marched to the secret spot. Furious King imprisoned "Viswabasu" the tribal chief and began his return disappointed. Crest fallen devotee of Lord Vishnu received a divine message to free the tribal chief and perform Ashwamedha Yagna. Narada assured the king of Lords blessing.

The King went to Nilagiri and performed the Yagnam. Lord Nilamadhav appeared in dream to King Indradyumna and informed Lord will appear in the form of Daru (Log of sacred wood) in the sea.

"I will manifest in the form of a very large fragrant, reddish log and the signs of Shanka, Chakra, Gada, Padma will be seen everywhere on that form. Go and take me out and make four deities and then you will be able to worship me. "On the next day the king got information about the floating of Daru with four branches.

The Daru was brought and placed on 'Mahavedi'. When Narada was discussing about crafting of deities a divine voice announced that the God himself will prepare his own image. While the king was thinking about this an old carpenter (said to be Lord himself in form of Viswakarma) appeared and offered to prepare the idol on condition that the door of the temple should remain shut and no one should enter or disturb for 21 days inside the temple. The king agreed to this condition. After 15 days when no sound of construction of image came from the room, the king and queen being impatient and doubtful opened the door and found the images remains unfinished and the carpenter has disappeared. In the meanwhile a heavenly voice declared "Oh king dress these four deities with silken garments and establish the deities on "Mahavedi". Accordingly the king worshipped the Lord Jagannath, Balabhadra, Subhadra and Sudarshan uttering three "Suktas of the Rig Veda" which are symbols of Brahman. From that day traditional has associated with worship of deities at Purushottam known with the names of Madhav, Mahabahu, Padmalochan, Kala Thakura Chakanayan etc.,

Shree Jagannath Mahaprabhu – the Lord of the Universe is the "Patitapabana" the savior and solace of the down trodden, the believer and the dependent. He is the Lord of Universe. A symbol of cosmic energy the highest expression of God. He is the manifestation knowledge, power, majesty, strength, energy and self sufficiency. He is the remover of sin, savior of the fallen soul and giver of salvation. Lord of the masses and Lord of the sufficiency humanity.

Jagannath is worshipped as Narayana (the cosmic sustainer of Universe or Vishnu when on Ratna Vedi in the sanctum sanctorum, as Ganesh (the destroyer of all obstacles) when on Snana Vedi during Snana festival as Rudra an expression of Shiva (the cosmic destroyer of Universe) during Nava kalevara Ceremony, as Durga (the source of all energy in the Sayana festival and as Surya (the synthesis of cosmic trio) when in the chariot during the Car festival.

Lord Jagannath responds to all beyond the barrian of caste, creed, religious faith and race. Jagannath as a form of Vishnu is non sectarian though there are several common aspects with Vaishnavism, Saivism, Shaktism, Smartism, Buddhism and Jainism.

Lord Jagannath is Avatari and not merely an Avatar of Vishnu. The Avatar (incarnation) emanates from him is the cause of all material creation. The Avatars after their cosmic play dissolute (Bilaya) in him (Jagannath). All the Avatars take their births for Lilas in this universe and at the end would merge in the self of Purna Brahma.

Lord Jagannath is Anantha (infinity, has no end) is Alekha (beyond description), Anadi (has no beginning, has life beyond evolution), Anam (without name) Nirguna (without attributes) Niranjan (without Stigma) Nirakara (without form). He is Purna Brahma, Sunya Purusa. He is Jagabandhu, the friend of the Universe.

Shree Jagannath is believed to a form of Vishnu and Lord Srikrishna. (Lord Jagannath is the Avatari i.e. cause of Avatars and not merely an Avatar). The Avatars after their cosmic play dissolute (Boliya) in him (Jagannath). Avatars take their birth for Lilas in this universe and would merge in the self of Purna Brahma. Legendary origin of Lord Jagannath is traced to Mahabharat.

Timings
The temple remains open for the devotees normally from 6 AM to 9 PM everyday and up to 10 PM on festival and special occasions with periodical pahadas (retreats). The rituals in the temple commence with Dwara Phita and Mangal Arati. Mailama (removal of dress, Tulsi, flowers etc). Abakasa (cleaning of teeth and bathing), mailam and veshas, kalas Jatra and Homas, Dwara puja, offering of Bhogas etc. take their sequence during the course of the day. Devotees participate in puja and rituals free of cost. However devotees can opt for special pujas and Archanas on nominal donations. Dry Prasads are available on sale within the premises. Anna Prasad is provided on advance requests on payment.

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Sri Chaya Someshwara Temple

Sri Chaya Someswara Temple, also known as the Chaya Someshvara Swamy Alayam or the Saila-Somesvara temple, is a Saivite Hindu temple located in Panagal, Nalgonda district of Telangana, India.

The temple got the name as it is believed that the formation of relentless shadow (Chaya in Telugu) of a pillar falls over the main deity of Shivalingam throughout the day. This amazing temple, engineered by the Kunduru, testifies the fantastic creative thinking and scientific knowledge of its architects. The complex houses three deities – Brahma, Vishnu and Shiva facing three different directions connected by common mahamandapa. The temple also demonstrates wonderful sculpture and art work.

The temple is known for its architecture. One of the garbhagrihas situated in the west and facing east contains a continuing shadow of a pillar throughout the day. This mysterious shadow is a huge attraction of the temple. The chaya that falls on the deity looks like a shadow of one of the pillars carved in front of the sacred chamber. But it is not actually the shadow of any pillar. The dark area is formed by the reflection of light through multiple pillars placed in front of garbhagriha and the shadow is a consolidated shadow of those four pillars. The pillars in the temple are strategically placed so that the light falls at the same place throughout the day.

The pillars of the temple are decorated in great detail with relief sculpture of episodes from Ramayana and Mahabharata. Several sculptures collected from this area are preserved at the museum constructed in the compound of Pachala Someswara Swamy temple. Some of the ancient shivalingas preserved in the museum were collected from a village called Yelleswaram, which was submerged during the construction of Pachala Ramalingeshwara Temple lies 1.2 km from Sri Chaya Someshwara Temple in Panagal Village is another wonderful place that can be visited.Chaya Someshwara Temple is well known for its architecture & mysterious shadow that falls on the deity. Here, Lord Shiva is worshiped as Someshwara Swamy. Because of the shadow, the temple is called as Chaya Someshwara Alayam.

The temple has three Garbhagrihas that houses three deities Brahma, Vishnu and Maheshwara, hence it is also called as “Thrikutalayam”.

The Garbhagriha situated on the west and facing east is dedicated to Lord Shiva. We can see a constant and continuous shadow of a pillar on Shiva Lingam throughout the day.

There is another architectural wonder apart from this Shadow which falls on the deity of the temple. If one stands in front of Shiva Lingam in the inner sanctum they will find their own shadow divided into two postures behind the wall of the deity.

Also, In Lord Vishnu garbhagriha, one can notice their hand waved, when standing in front of the deity, it splits into 5 shadow postures.

The dark area is formed by the reflection of light through multiple pillars placed in front of garbhagriha and the shadow is a consolidated shadow of those four pillars. The pillars in the temple are strategically placed so that the light falls at the same place throughout the day.

The temple was built during Kundur Cholas period between 11th – 12th century. It is one of the ancient and historical pilgrimage sites in Telangana. The architecture and the pillar shadow on the deity show creative thinking & scientific knowledge of Kunduru Cholas.

The temple is located in Panagal at a distance of 1.4 km from Panagal Bus Station, nearly 4 km from Nalgonda city, 45 km from Suryapet city and about 107 kilometres from Hyderabad.

Timings : 6 AM to 12 PM and 3 PM to 8 PM

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Sri Ujjaini Mahakali Temple

Sri Ujjaini Mahakali Devasthnam is a temple located in Kalasiguda, Secunderabad, Hyderabad District in Telangana State India, which is more than 200 years old installed in July 1814. Sri Ujjaini Mahakali Matha is the main deity of this temple, who is an incarnation of Goddess Parvathi. The idol of the goddess is seen in the padmasana posture with four hands carrying a sword, a spear, a damaru (two-headed drum), a vessel of amrut. The idol is covered and fixed with a silver shield (vendi kavacham).

Devotees offer prayers to the goddess every day. In particular, Lakhs of devotees offer prayers during Ashada Jathara, which usually falls on Sunday and Monday. It is also popular during the festival of Bonalu.

It is believed that in the year 1813, Cholera broke out in the city and thousands of people died due to it. At the same time batch of military battalion transferred to Ujjain in Madhya Pradesh from Secunderabad. A doli bearer Suriti Appaiah along with his associates went to the Mahakali Devastanam at Ujjain and prayed for the benefit of people, if the people saved from the epidemic, he will install a deity of the goddess. AS soon as they have return from Ujjain, Appaiah and his associates installed the idol made of wood in Secunderabad in July 1814.

Thousands of devotees visit this place to seek blessings of Goddess Mahankali. During July and August, the temple is illuminated with electric lights and decorated with garlands, buntings and festoons for the festival of Mahankali Ammari Jathra. It is an annual event that glorifies peace, harmony and security of the people endowed by Goddess Mahankali’s blessings. There are abhisheks, poojas and serving of prasadam to the Goddess every day by hundreds of people.

Sri Ujjaini Mahankali Temple Religious Significance
Sri Ujjaini Mahakali Temple is known for conducting the Vedas daily poojas with a lot of perfection. On most of Friday's special decorated and holy archanas are wholeheartedly being performed for the Hindu devotees. During the celebration of Navarathris, unique type of pooja's are performed in the special month of Ashwayujam with attractive and beautiful floral decorations for the primary goddess. On the other hand, Saptasathi homamas are performed with lot of dedication and commitment. Daily thousands of devotees have the special darshan of goddess plus get blessed. The special pooja's of this temple are Sahastra Nama Archana, Nitya Aarathi, Abhishekam, Swarna Pushparachana, Pallaki Seva on Tuesday and Friday at 6.00pm, Chandi Homam on Pournami only, Laksha Pushparchana and Ghatam Pushpa Alankaram per day only during Aashda Jathra. The Bogamluu of this temple are Pulihora, Chakari Pongal, Bella Pongal, Dadojanamu, Chanagalu, Rava Kesari, Anadanam and Shasvatha Anadanam. Shasvatha Chandi Homam is also performed in this temple. 

Sri Ujjaini Mahankali Temple Architectural Significance
Sri Ujjaini Mahakali Temple is built as per Dravidian temple architectural style and pattern. The temple complex is dotted with small temples with several Hindu Gods and Goddess. The temple's tower and walls are carved with epic stories of Hindu religion. This temple has idols of Gods and Goddess made of wood and special stones. The temple complex has a well that is filled with holy water that is used as offering on the poojas and festive occasions. The architectural style and pattern doesn't sink with Southern temple style and pattern in certain aspects. It doesn't have any influence of North Indian temple styles and patterns. Even the Ujjain temple features aren't used in this particular temple to a great extent.

Festivals at Sri Ujjaini Mahankali Temple
Sri Ujjaini Mahakali Temple is marked with certain special and unique festivals such as Ghatothsavam on first Sunday in the month of Ashada, Kolupu Potharaju Bali, Rangam during the period of Ammavari Jatara and Saganamputa(Farewell). During the festival of Bonalu, a large number of Hindu devotees and locals visit this particular temple with much commitment and dedication.

Timings : 6:00 AM - 12:00 PM and 4:00 PM - 9:00 PM
Friday Timings: 6.00 am - 1.00 pm and 4.00 pm - 10.00 pm. 
Time Required : 30 mins - 1 hour

Entry Fee : No Entry Fee

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Chandraghad Fort & Temple

Chandraghad Fort is located at Chandraghad Village in Narva Mandal in Narayanpet District of Telangana. It is on the banks of River Krishna. 

This Hill Fort is located close to Jurala Dam. The picturesique Hill fort is located on the banks of river Krishna. This Fort was built during Peshwas and belongs to Chandrasena Jilledar. 

The fort had been constructed in a very strong way so as to act as the store house of grains and taxes collected from people before transferring them to Peshwas. 

The Hill fort presents a very picturesque view. There are 5 ponds existing in the fort and the ancient Shiva Temple. The Hill fort is so grand that one may see the fort even from a few kilometers away.

At a distance of 1.3 km from Chandraghad, 8 km from Jurala Dam, 74 km from Mahabubnagar Bus Station and 163 km from Hyderabad,

The Sri Ramalingeshwara Temple dedicated to Lord Shiva is located in the fort. There are several water bodies exist in the fort. It requires about one km walk from the nearest road point to trek to the hilltop.

Chandraghad is about 2 km from the main road between Jurala and Atmakur. Public transport to Chandraghad is very poor.
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Kalwa Narsimha Swamy Temple

Kalwa Narasimha Swamy Temple is located in the village named Kalwa, in Koneru, in the district of Nirmal, in the state of Telangana, in South India. which is at a distance of 11 km from Nirmal.

Devotees who embark on a trip to the famous Basar Saraswati Temple, often stop by this temple, which falls on the way, to offer prayers.

The temple is known for its strict manner for following the Hindu temple tradition and culture to a great extent.

The principal deity of this shrine is Lord Narasimha Swamy. It is a medieval period Hindu temple
with good architectural style and pattern. It is the most sought after Hindu temple in this region that is visited by the adherent devotees of this particular region and its surrounding. This particular shrine is largely known for performing various types of special pujas on all the Hindu auspicious days and festive days as per the Vedic rules and regulations in a very strict and religious manner. The specialty of this shrine is that visitors, tourists, devotees and pilgrims are offered Vana Bhojanam or forest meal under the tree in the noon hours. No one remains hungry after reaching this shrine which is located in a hamlet deep inside the forested area of this particular region.

At Kalwa Narsimha Swamy, we can see the deity seated in a yogic posture. To his side, we see Narsimha Swamy's consort Goddess Lakshmi. This is a rare form of the God, as we see that most of the other temples usually house the more furious avatar of Narsimha Swamy. We can also see a Ratham or the holy chariot in the temple premises. The Ratham is decorated with different types of colourful flowers on special occasions and it carries the idols of gods and goddesses. The area around the temple is made tourist friendly.

Kalwa Narasimha Swamy Temple is known for its unique architectural significance and its related patterns and styles. The temple is situated in a small plot in the dense forested area. The premises have a calm atmosphere that is suitable for conducting various types of prayers, pujas, homams, yagna and other religious functions and activities to a large extent. The entrance gateway of this temple is really attractive with a small tower with images of Hindu Gods and Goddess. It is perfectly based on the South Indian Hindu temple architectural style and pattern. The temple isn't visible among the thick vegetation in the surrounding from the main road. In a religious manner as per the Vedic rules and regulations, the sub-temples in this temple complex are arranged in systematic aspects. The flooring and ceiling is really unique. The walls and pillar in this temple has large sized images that depict the glory of Lord Narasimha. The main sanctum is very a small structure when compared to other Hindu temples of this region. It largely resembles like medieval Lord Shiva temple with its actual look and other religious aspects.



https://www.astrolika.com/temples/kalwa-narasimha-swamy-temple.html

https://telanganatourism.gov.in/partials/destinations/divine-destinations/nirmal/kalwa-narsimha-swamy-temple.html

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Undrugonda Fort & Temple

Undrukonda Fort is located 10 km from Suryapet town. It is located on a hill, surrounded by think forest in 1,372 acres. 

The ruins of the Undrugonda fort are of archaeological significance and they represent the various methods used in construction during that era. The central pillars are carved in typical Kakatiya style. The historic fort offers a lot of scope to understand the rich legacy of the region.

The fort is believed to have been built during Kakatiya times and later it fell under the control of Muslim invaders after the fall of Kakatiyas. The fortifications are spread across an area of 1 to 3 km’s along the hillock along with a famous Narasimha Swamy temple here.

Ugranarasimhaswamy temple is located on Undrugondadurgam (fort). The image of Narasimhaswamy on Garuda peetam is under a natural cave which was converted as a temple by constructing a garbhalaya and pillared mandapa.

Remnants of fortification walls are seen on the Undrugonda fort. At the foot of the fort an open mandapa is located. The ruins of this temple as well as fort are of archaeological significance and they represent the various methods used in construction during that era. 

The historic fort offers a lot of scope to understand the rich legacy of the region. This is an important fort of historical importance in Vemchimla mandal of Suryapet district and the Ugranarasimhaswamy temple here represents the historical significance of this region.

Locals throng the temple during festival occasions. The famous temple and the ruins here attract tourists and history lovers from all over, especially the picturesque hillock with a historic backdrop is a wonderful destination to visit.



https://tsdamblog.com/fortifications-undrugonda/



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Neelakanteshwara Temple

Sri Neelakanteshwara Temple is located on a beautiful Highway to Nagpur in the centre of Nizamabad Town is famous for its architecture.

Apart from architecture, there is another unique factor to this temple. It is the presence of the Big Three here: Lord Shiva in Linga form, who is Swayambhu; Lord Vishnu lying supine like Lord Padmanabhaswamy and Lord Brahma sitting on his lotus. Devotees throng this temple because of the presence of the Holy Triumvirate.

Kanteshwar is popular for an ancient temple dedicated to Lord Shiva. The temple is said to be about 500 years old and stands as an example of the architecture of the time during which it was built. This ancient temple was built by Satakarni II for Jains, who was a popular Satavahana King.

During Kakatiya period, the Jain mandiram was converted to a Shiva temple when many Jains also converted to Hinduism. The structure resembles the Nagara style or Hindu architecture with influences from north.

While some legends say that the temple could be close to 1,400 years old, it is older than 500 years and represents a mixture of great architectural history, with artwork on walls and pillars of the temple.

While the Nagara influence dominates, one can see Chalukyan influence on the temple gopuram and the outside of the temple and Kakatiya influence is there all over, including the outer region of the temple, with its small floral contributions. There is a protective wall, almost like a fortress, around the temple.

While the sanctum sanctorum has the three Lords and you can worship all of them together, the outside is replete with pillars, some on a raised platform on either side of the idol of Nandi, the guardian deity of Kailasa.

The Rathasapthami festival celebrated here every year, is very popular among devotees.


There is also a legend which says that the Sun rays fall on the Shiva Linga only on the Rathasaptami Day (Chariot ceremony).

Kanteshwar Jatara is organised on the premises of the temple. A large number of devotees throng to the temple for the darshan of chariot (Ratham).

The temple’s ‘gali gopuram’ (a monumental tower) stands tall and people can worship it from far away even before approaching the temple.

Many come to fulfill their wishes and pray to Lord Shiva to whom this temple is dedicated.

It is believed that the Lord here grants one’s wishes if you pray with fervour. This temple and many other ancient temples in this region came under Sirnepalli Samasthanam.

While the name of the temple suggests that you will see an icon of Lord Shiva with a blue throat, it is not the fact as the idol is in ‘Linga’ form.

The temple gains its name according to a legend that in a war between Gods and demons, there was a churning of an ocean and this brought forth gems and poison ‘halaahala’ which would have destroyed the entire creation. So both the Gods and the demons approached Lord Vishnu for help who in turn sent them to Lord Shiva.

Lord Shiva is believed to have drunk the entire poison and it is said that his consort Parvati Devi caught hold of his throat so that the poison does not move down his body which gave a blue colour to the Lord’s throat. Thus, Lord Shiva also gains the name ‘Neelakanteshwara’ due to the presence of the blue throat.

All pillars are made of stones but the variety of stone used is also different within this small space, speaking of the various influences. Local people point out the fact that there are three flowers on one pillar whereas other pillars have only one flower. Some eccentricity or lack of time of the sculptor, probably.

There is also a Dakshinamukhi Aanjaneya Swamy outside the temple. Normally, Lord Aanjaneya faces east but he is supposed to be facing south here because Sita Devi was in Lanka then, says chief priest Suhas Shakai.

One must not forget to mention the beautiful Nandi, sitting in front of his favourite Lord.

Previously made of one single stone, the idol looks handsome, with all kinds of paint on him, spoiling his looks, but some are happy that the paint is peeling off.

The whole ancient feel of the temple comes from the pillars, the Nandi and the beautiful work done on the walls, pillars and the roof in the inner part of the temple.

The temple stands on three acres of land and stone tiles have been laid for the walkway and an awning covering half the temple as protection against weather, while a small herbal garden is there amidst the walls of this ancient temple. There are other gates, with monkeys as gatekeepers. On the other side of this temple is a very beautiful and huge temple well, where only Utsava Murtis of the Lord are dipped, though one wonders about the plastic bags lying in the water.

There is a walking space. There are several Nandis and Shiva Lingas here too for people to do pooja. Just to give the old feel, there is a ‘ratham’ (chariot) made of wood. While the entire ratham is delicate and colourful, the bottom part of it has ‘nakashi’ art paintings of the Lords.

There is a small Tulasi plant amidst a host of huge trees of neem, peepul, palms etc. around the temple . Embedded on the wall of the temple is a beautiful Narasimhaswamy made of granite and looks wonderfully worshipped.

Next to the Tulasi is another stone statue, apparently known as Veergal or hero stone. These are found in a few places and in memory of those who lost their lives in war. Of course, there is a Lord Ganesha, in whose presence all poojas begin and he stands in granite glory and Sri Parvathi Devi has a small temple to Herself, in glorious turmeric, with a red bindi adorning her forehead.

The office room though is the best and has been kept in its original form. “We do not want to change this,” insists Temple Chairman Kovvuri Jagan Gupta. “Even in Summer, it is cooler here inside,” he said. The office room is small and has a domed roof. There is coolness about the place during the monsoon. It probably leaks but the old feel is definitely there, including an old wooden door.

The temple is very peaceful with the music of the breeze flowing through the trees and during nights, the lights come on and women walk in colourfully and chant Sloka in groups, adding to the fervour of the temple.

Temple Timings
Monday - Friday:
6:00 AM -7:30 PM
Saturday:
6:00 AM -7:30 PM
Sunday:
6:00 AM -7:30 PM
Public Holidays:
6:00 AM -7:30 PM

https://www.deccanchronicle.com/nation/current-affairs/060818/an-alluring-temple-of-trimurtis-of-the-trimurthis.html



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Sarangpur Hanuman Temple

Sarangpur Hanuman Temple is located at Sarangpur, 8 km from town of Nizamabad. 

A popular temple dedicated to one of the foremost devotees of Lord Shri Ram. The murti of Hanuman is carved out of a large rock atop the hill. The shrine is built around the murti of Hanuman.
Folk traditions say, the temple was founded by famous Saint Samarth Ramdas of 17th century.
Samarth Ramdas was the mentor of Maratha ruler Shivaji. Samarth Ramdas preached Advaita. Ramdas was a devotee of Lord Hanuman and Lord Sriram.

The temple premises of Lord Hanuman are spread over 1400 acres and is located on a picturesque and tranquil hillock.

Sarangpur temple is at distance of nearly 8 km and is easily accessible by road. Once you reach Nizamabad town, you need to hire private transport to reach Sarangpur.

https://www.telanganatourism.gov.in/blog/Sarangpur-Hanuman-Temple.html



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Jankampet Temple

Sri Lakshmi Narasimha Swamy Temple is located at Jankampet in Nizamabad District of Telangana.
is dedicated to Lord Narasimha an incarnation of Lord Vishnu. This Temple consists of a pillared hall and garbhagriha. This temple is famous for Astahmuki Puskharini on top of the hill, constructed in octagonal shape. 

The temple was built during the Rastrakuta times and renovated during the period of Western Chalukyas, Kakatiyas and later rulers.

The annual festival and full moon day attract lot of pilgrims.

Whenever Amavasya falls on a Saturday ‘Shaniwar Amavasya’, people from Nizamabad and surrounding areas take a dip in the Lakshmi Narasimha Swamy temple Ashtamukhi ‘Koneru’ here and offer prayers. Devotees believe that by performing this ritual, they can keep away ‘Shani Dosham’.

In addition, a large number of people from Hyderabad, Maharashtra, and Karnataka were among those who took a dip in the ancient temple’s koneru.

2.5 km from Jankampet Bus Stand, 12 km from Nizamabad Bus Station, 27 km from Basara Bus Station and 186 km from Hyderabad,

Timings: 6:30 am to 1:30 am and 4:30 pm to 7:30 pm.



https://www.trawell.in/telangana/nizamabad/sri-laxmi-narshima-swamy-temple-jankampet
https://telanganatoday.com/large-number-of-people-visit-jankampet-temple-in-nizamabad


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Saleshwaram jatara and waterfalls

Saleshwaram is located 25 km away from Farahabad gate in Amarabad Tiger Reserve in Nallamala Forest, Amarabad Mandal, Nagarkurnool district, Telangana State, India.

The annual Saleshwaram Jatara in the Nallamala forest area which comes under Amrabad Tiger Reserve is celebrated every year on Chiatra Pournami or the Full Moon Day in April and is open to visitors for only 5 days. 

On every Chaitra pouranmi i.e. the full moon day of March/April believed to attain the super natural powers and the wills of the devotees are fullfiled message spread throughout the State hence devotees come in large numbers chanting “Vastunna Lingamayya” .

“Saleshwaram Jathara” also known popularly as “Dakshina (Telangana) Amarnath Yathra”is being conducted every year for three days in the month of April, for the past 30 years. Nearly 5 lakh people from all over the country visit Saleshwaram during the Jathara every year. 

Saleshwaram waterfalls runs throughout the year from a height of 200ft and the source of water remains unknown. This waterfall reaches a Shivalinga revered as “Lingamayya” by the Chenchu tribes. The presence of a perennial waterfall here resembles a long serpent when splashing on the rocks adds to the beauty of this place. 

Breath-taking views of the layered rock formations, deep valleys with spectacular views only found in the most exotic locations of the world. Saleshwaram is located 16 km away from Farhabad forest checkpost and the temple comes under Appapur Gram Panchayat in Lingal mandal in Nagarkurnool district, Telangana, India.

The ancient Sri Ramalingeshwara Swamy temple of 6th century AD, located deep inside Nallamala forest, is about 1,000 feet deep inside a valley. The scene of the temple in moonlight is a treat to the eyes and a blessing to the soul. The temple lies next to a beautiful waterfall, coming down from a height of over 200 metres. The water flows through the temple and the devotees take a holy dip in it before taking a climb into the Garbhagudi. The linga is located in a cave which resides on a huge rock.

Reaching the temple involves a 16-km journey through the core area of the tiger reserve with another six kilometres of trek through the Nallamala hills.

The drive through the deep forest is sure to remain one of the best memories for visitors since they can see many wild animals like spotted deer, nilgai and wild boar.

The devotees have to walk at least three kilometers to reach the temple located down the valley. It is an arduous walk since there are sharp rocks all along the ground.

The devotees need to walk on narrow gorges of valley to reach down the deep valley where they can see waterfall falling from over 1,000 feet.

The devotes take a holy dip in the water and collect water in the bottles for those who could not make it as it is believed that it contains medicinal value.

Nature’s wonder which has been kept intact for thousands of years has once again started mesmerizing the devotees of Lord Shiva, who is devotedly called ‘Lingamaiah’ in this part of the world. The purest form of the nature located away from the mainstream society’s sight has opened its arms welcoming the devotees.

‘Sarveshwaram teertha kshetra,’ which later came to be known as ‘Saileshwaram’ and ‘Saleshwaram locally,’ which is a primitive religious site, located 30-40 kilo metre deep inside the Nallamala forests inside Amrabad Tiger Reserve where the rare Chenchu Adivasis have been living and serving Lord Shiva for ages.

As per local Chenchu mythology, ages ago, a Chenchu named Ravagadu had gone for hunting along with his wild dogs on the New Year’s Eve. When he couldn’t find water to drink anywhere, his dogs led him to a water body located near a cave, where water drops which looked like pearls were falling through the layers of rock formation. There, Bhole Baba had revealed himself to the Chenchu in bright gold and then vanished. That night, Lord Shiva appeared in his dream and asked him to erect a Shiva Linga and serve him.

The water which flows through layers of rock formed some thousands if not millions of years ago, carries with it all the medicinal values through the roots of nature, making it the purest form of water which has the ability to cure any disease. People have been visiting this nature’s wonder for ages and people believe that their sins can be washed-away here.

According to ‘Parvatha Purana,’ if a sinner enters this water body which is called ‘Shankhu Teertha,’ the water here becomes dirty but when a pure human enters, remains crystal clear. No wonder, while the water which comes from the top is crystal clear, once it touches the ground where devotees take bath, it changes colour due to plastic left over by pilgrims.
According to historic evidence, the Shiva Ling at Sarveshwaram had already become famous by 5th or 6th century. The layered rock formation in front of the sanctum sanctorum itself looks like a mammoth cave.


https://www.thehindu.com/news/national/telangana/devotees-make-a-beeline-to-saleshwaram-jatara/article8515715.ece
https://telanganatoday.com/deep-inside-the-nallamala-forests-saileshwaram-mesmerises-devotees
https://allevents.in/hyderabad/saleshwaram-trek-in-srisailam-forest-opened-only-once-a-year/80001403653972



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Ammapalli Sita Rama Temple

Ammapalli Sita Ramachandraswamy Devasthanam is located in Ammapalli Village near Shamshabad, Rangaredddy District, Telangana, India.

The temple is unique in more ways, it is a Ram temple but there is no Hanuman inside the sanctum
sanctorum, instead there is a Hanuman at the base of the dhwaja stambh (flag post) looking towards the temple. It is believed that Hanuman is looking towards Lord Rama to wait for instructions from him to fulfil the desires of the devotees. There is another Hanuman idol that looks directly outside at the bottom of the second flag post. This was a unique thing for me was the presence of two dhawaja Stambhs in the temple courtyard one seems to be old and other recently added (recent here could mean 100+ years). The 3 idols of Rama, Sita and Lakshaman are made from a single stone and not made from separate rocks.

The Rama temple was built by Vengi kings in 13th century but the idol was 1000 years old. The temple is adorned with a large seven-story tower which is quite famous among Telugu movie fans. There is a large image of Lord Vishnu is sleeping posture above the gateway of the tower.

“There are no inscriptions of this temple but legend has it that it was built during the time of Kalyani Chalukyas,” says Anvesh Sharma, the temple priest. 

There is a large temple pond which is very ancient. The pond is surrounded by porticos and once it provided shelter to the pilgrims. The surroundings of the pond are filled with coconut trees. There is a mandapa opposite to the temple.

Tollywood film industry loves Ammapalli Temple and they believe that movies recorded here would become hits with the blessings of Sri Sita Rama Swamy.

Sri Rama Navami is celebrated with great passion at this temple every year (Apr).

The gali gopuram is a magnificient work of art that rises some 80 feet into the air. Though it is similar to other gali gopurams in South India like Hampi and Tirupati, the one at Ammapalli is leaner and is a combination of limestone plaster, baked bricks and stucco giving it a more dramatic appearance. Surprisingly, the multi-storied gopuram also incorporates elements of Rajasthani architecture such as the flared chajjas that curve upwards. “The gali gopuram and the walking path around the temple are later day additions. They were built in the 17th century while the inner sanctum sanctorum is the earliest structure,” says the priest.

It is the sanctum sanctorum with the three idols of Sita, Rama and Lakshmana that the story of the temple unravels. “This is carved out of a single stone. Even the deities of Rama, Sita and Lakshmana have makarathorana (the arch above the idol) carved out of the single piece of rock. The unique aspect of this Rama’s idol is that the makarathorana has small idols which are representative of Dasavataram,” informs the priest. The gopuram over the idols is a smaller structure but with greater detailing of the temple iconography which is intact despite its age.

While most villages have Rama temples with Hanuman kneeling in front in an act of prayer, the Ammapalli temple has an idol of Kodandarama where Rama holds the arrow in his right hand and a bow in the left. “There are very few Kodandarama temples as they are built only in places where Sri Rama travelled or stayed during his 14 years of exile. That is also the reason the temple doesn’t have Hanuman sitting near the three as he didn’t join them till the end of exile,” says Sharma.

Spread over nine acres, the temple and its ancillary structures hark back to a time when land was not at a premium. It has a step well that sprawls over an acre of land and has a walkway around it. Unfortunately, the well is dry as a rock. “Earlier the well used to be full of water through the year. But now due to a lot of construction activity, the natural pathways of water have been disturbed and the well dries up on a regular basis,” says Anuradha Reddy of Intach who has a family ties to the trustees of the temple belonging to Rajapet Samasthan.

How to reach Shri Rama Chandra Swamy Temple Ammapalli Village: If you are coming from ORR take exit 17 and travel on service road till you meet the underpass that takes you on Rallaguda Road towards Narkhoda, Ammapalli village will be on the way and you will see a big Arch on the main road informing about the temple.

If you are coming from Banjara Hill/Mehdipattnam side come from the PV Narsimha Rao Expresswayand then follow this map to join the same route after you reach the Shamshabad village. Here is a Google map to reach the Ammapalley temple from Shilparamam you can expand it and change your starting point.


http://www.thehindu.com/society/history-and-culture/serish-heritage-ammapalli-sita-ramachandraswamy-devasthanam/article18304930.ece

http://desitraveler.com/sri-rama-chandra-swamy-temple-ammapalli-village/

https://www.trawell.in/telangana/hyderabad/sri-rama-chandra-temple-ammapalli




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