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Rock art of Telangana

Rock art is a form of landscape art that includes designs that have been placed on boulder and cliff faces, cave walls and ceilings, and on the ground surface. Petroglyphs are rock carvings (rock paintings are called pictographs) made by pecking directly on the rock surface using a stone chisel and a hammerstone.  Of all the questions with regard to rock art the most problematic is its dating. For the relative dating of rock art the following aspects are taken into consideration.  They are: 1. Thematic content 2. Superimposition 3. State of preservation 4. Colour scheme 5. Archaeological evidence. 1. Thematic content The thematic content in the rock art of Telangana mainly consists of animal figures such as deer species, humped bull (Bos indicus), hare, rabbit , mangoose, porcupine, dog, tiger etc., and birds such as peacock, human and anthropomorphic figures, hand prints and geometric figures. The thematic content of the paintings and also the petroglyphs, is useful for understanding

Surendrapuri

Surendrapuri is a museum located in Yadadri Bhvanigiri district. This is a unique one-stop destination where you can see epitome of cultural, artistic and sculptural excellence. Kunda Satyanarayana Kaladhamam, one-of-its-kind mythological theme park. The other major attractions of this place are Nagakoti (101-feet Shiva Linga) and a temple of Panchamukhi Hanuman with Panchmukha Shiva and Lord Venketaswara.  A 60-feet double-sided Panchamukhi Hanuman and Shiva statue at the entrance catches the attention of visitors. A unique Navgraha Temple places different navagrahas in the relative positions. Astounding Vedic knowledge has been put into building this temple. KUNDA SATYANARAYANA KALADHAMAM Kunda Satyanarayana Kaladhamam is a spiritual and mythological awareness center where one can relive the ancient Indian epics. Most of the historic temples of India are recreated here. Visit Sapta Lokas for the immense feel of serenity amidst the nature’s beauty. This brings vibrant f

Pochampally Saree

Pochampally saree or Pochampalli Ikat originates from the Bhoodan Pochampally region in Yadadri Bhuvanagiri district, Telangana. These popular sarees are renowned by their typical geometric patterns and the special Ikat style of dyeing. The uniqueness of Pochampally Ikat is its ability to create extremely complicated designs using bright dyes. The fabrics used are natural – cotton, silk and sico (a combination of silk and cotton). The painstaking weave and meticulous eye for detail makes the Pochampally weavers stand apart and are revered throughout the textile industry. Chintakindi Mallesham, a Class 6 school dropout from Telangana, has innovated the Laxmi Asu Machine easing the taxing manual process of weaving Pochampally saris and helping weavers increase their production without putting their health at risk. Pochampally Ikat uniqueness lies in the transfer of intricate design and colouring onto warp and weft threads first and then weave them together globally known

Chintakindi Mallesham

Chintakindi Mallesham is a recipient of Padma Shri award for the year 2017 under Science and Engineering category for his innovation of Laxmi ASU machine to reduce the time and labour required to weave Pochampalli silk sarees. He received Amazing Indians Award from the hands of Prime Minister Narendra Modi and also got best innovation award. A hand winding process called Asu is required in the traditional ‘Tie & Dye’ Pochampalli silk saree tradition. This involves moving the hand over a space of one meter up and down around semi-circularly arranged pegs 9000 times (yes, 9000 times!) for one sari. For each sari to be completed it takes almost 4 to 5 hours. The machine, which has been named after Mallesham's mother, can make a saree in about one-and-a-half hours as opposed to five hours in the manual process. The mechanised process besides increasing productivity (eight sarees a day) has reduced drudgery and allowed variety in style and design.  Learning early C

Yadadri Temple

Yadagirigutta  is now renamed as Yadadri and 8 hills surrounding it to be called Navagiri The remodelled Yadadri  Sri Lakshminarasimha Swamy Temple  temple should be ready for the devotees by next Dasara 2017, Chief Minister K Chandrasekhar Rao directed the officials. At a review meeting on the development of Yadadri, the chief minister gave his nod for the final design of Yadadri temple construction plans. He watched the 3D photos of models of various constructions and directed the officials to proceed as per the design.

Bhuvanagiri or Bhongir Fort

Bhuvanagiri, popularly known as ‘ Bhongir ‘ stands tall at 609 metrs above sea level. An isolated monolithic rock which has a uniquely egg-shaped hump. There is a fort with two-entry points and protected by huge rocks. Bhongir Fort was built by the Western Chalukya ruler, Tri-bhuvana-malla Vikramaditya VI in 10th century on a single rocky hill in Bhongir with a single monolithic rock and was named as Tribhuvanagiri. But later the name was modified into Bhuvanagiri and now presently called as Bhongir. It is about 48 kilometres from Hyderabad and located in Nalgonda district. The fort is spread over 40 acres of land and is 500 feet high on a hill. Bhongir is famous for its Beetle Leaves, Pottery and textiles. Talking about the fort, it has a unique egg-shaped construction with heavy rocks covering the two entry points where the soldiers were always ready to attack when enemy invades. A moat encircles the fort and the palace itself has a huge underground chamber, an armoury, stable

Kolanupaka Jain Temple

Kulpakji or Kolanupaka Jain Temple is at a distance of 83 km from Warangal and 81 km from Hyderabad, the 2000 years old Jain Temple of Mahavira is located in Kolanupaka village (also called as Kulpak) in Nalgonda district.  The temple is decorated with beautiful images of Tirthankaras and it's one of the important Jain pilgrimage sites in the country. It is also a popular place to visit around Warangal & Hyderabad. Kulpakji is an important pilgrimage center for Swetambara Jains of South India. According to the mythological legend, the main temple of Kolanupaka is said to have been built by Emperor Bharata, son of King Dushyanta and Queen Sakuntala. Jainism was prevalent in Telangana before the 4th century and Kolanupaka was one of the prominent centers of Jainism from early times. About 20 Jain inscriptions have been found there. It is said that Kolanupaka flourished as Jain center during the Rashtrakutas period. This temple has three main idols of Gods, called as Tirth