The caves of Adavi Somanapalli under Malhar Rao Mandal that come alive only during Maha Shivarathri festival is otherwise disconnected from mainstream of life
Rock Cut Cave Temples of Adavi Somanapalli
The caves of Adavi Somanapalli under Malhar Rao Mandal that come alive only during Maha Shivarathri festival is otherwise disconnected from mainstream of life
Basheer Bagh Gunfoundry
The Gunfoundry was built in the year 1795 CE during the Asaf Jahi period by a renowned French Engineer Monsieur Raymond who had established a cannon-manufacturing factory here. Residential colonies have come up around the site, and only a part of Gunfoundry remains.
Some of the guns Raymond cast can be seen in the small gun park on the meridian of the road in front of the Assembly building. Much of the massive gun foundry walls fell due to lack of repair and maintenance over time.
Massive brick walls and cubicles which are supported by brick and mortar arches at ground level, and consists of brick kiln-like space underneath are what remain of the original foundry. This is the only surviving Gunfoundry established in the 18th Century CE, in the Nizam’s State of Hyderabad.
The original brick walls of Gunfoundry were approximately 50 feet high with a tapered portion commencing above 25 feet. The binding material used is lime mortar while the wall surfaces were covered with lime mortar on the exterior and interior.
At a time when the French Revolution was at its peak in France (1789-1790), impacting the entire civilised world with its ideals of Liberty, Equality and Fraternity, there was in Hyderabad an intrepid French General in the service of the second Asif Jah, Nizam Ali Khan, who with his indomitable courage and skills of diplomacy, established a contingent of native army personnel trained on French model that became a strong instrument of warfare to serve the Hyderabad State. The fact that these army men wore headgear similar to the Cap of Liberty, a symbol of the great French Revolution, shows how this French commander wanted to replicate the values of revolutionary France in distant Hyderabad. The guns and cannons he made, after establishing an arsenal and a foundry, became so famous that never in the country, before or after, were such quality ammunition ever made. The indomitable French general behind that contingent was Michel Joachim Marie Raymond, popularly known as Francois Raymond or Monsieur Raymond. To the Muslims, he was Musa Rahim, and to the Hindus, he was Musa Ram
During the last quarter of the 18th century, this enterprising French adventurer, Raymond, came to India as a merchant. But soon he joined as a soldier and served a few native states, before he finally reached Hyderabad to form a native regiment. Here he rose to become its commander and established considerable French influence in the court of the Nizam by winning his trust. Raymond’s passionate commitment to the work he discharged and loyalty to the Nizam were such that his influence on the Nizam continued unabated, till death, even though the British had taken over vast territories of the Circars from the Nizam in 1766 and established their hegemony in Hyderabad court after the eclipse of the French power.
Jan 31, 2017 :"The tourists can visit the site by taking the keys from us," said Mr K. Padmanabha, the deputy director of archaeology and museums. He said the department was keeping the premises locked because people throw garbage and spoiling the facade.
Raymond Tomb
When Raymond died in 1798, a tomb made of black granite was erected in Saroornagar, about 10 kilometers away from Hyderabad. The place is on top of a hillock in Mussa Ram Bagh, Malakpet. It is about 60 meters long, 30 meters wide, and 10 meters high. The initials “JR” are carved into it. The tomb has long been a symbol of great respect from the people and the dynasty and until now, people from all over the city still pay their respects for the great Frenchman on his death anniversary by lighting incense sticks near the tomb. Another attraction that can also be found near the tomb is the French Garden, located less than a kilometer away. It is the place where Raymond and his men were stationed. Now, it is a beautifully laid out lawn with green grass and flowers. There are also remnants of the military barracks stationed there during Raymond’s time.
In October 2001, the monument collapsed due to heavy rain, and also, lack of maintenance. The state government had it renovated, however, and given a facelift, as well as a brand new pavilion. On April 14, 2003, it was again showcased to senior officials of the tourism and archaeology departments. The renovation cost an estimated Rs 500,000, a small price to pay for the continued existence of one of Hyderabad’s enduring attractions.
Toli Masjid
With a high plinth, Toli Masjid is perfectly built on a high raised platform. The mosque is largely divided into two big halls. It is to be remembered that the outer halls has five-arched openings. On the other hand, among five outer arches, the middle arch is wider slightly and more uniquely ornate. It is to be highly noted that two minarets of approximately 20 meters each rightly flank the edifice with a lot of perfection. On top, the parapets comprise a set of miniature arches with screens of perforated shapes of different special designs. With beautiful lotus medallions in the spandrels, there are five attractive arches. The unique inscription in the hall of prayer reveals that Musa Khan built this building structure for religious purpose. The upper portion of this particular mosque is attractively well-decorated in a religious manner. The parapet comprises of a set of arched with jali screens of different styles and patterns. All these said features adds additional beauty and attractiveness to this mosque when compared with other mosque of this region and rest of India. The local people give good respect to its architectural significance and have taken steps to preserve in its historical form in all means to a great extent.
As one enters the open premises of Toli Masjid in Ramsingh Pura of the Karwan area of the Old City, debris can be seen floating inside a walled structure filled with stagnated algae-covered green water.
The stepwell, which is approximately 35 metres deep and has a flight of around 130 steps inside, is now almost invisible because its surface is filled with algae water, liquor bottles, and furniture foam floating on the well's surface.
The stepwell, which is protected by the state heritage department, was built to supply water to the mosque. Locals recalled how water from the stepwell was used for drinking purposes around 50 years ago, and how children used to swim in the well, which was now dying slowly.
"People from nearby liquor shops have been dumping liquor bottles and even foam from the surrounding furniture workshops," said Abu Bakar Bakulka, pointing to the stepwell.
"Because the premises are unattended and unsupervised, there is no one to intervene and protect this centuries-old structure. People come and throw garbage after late evenings when no one is around."
Afzaluddin Farooqui, joint secretary of Toli Masjid Committee, stated that a complaint was filed with the relevant authorities about three years ago, but there was no response and no further action was taken.
"We filed a written complaint with the heritage department, requesting that the entire mosque area be protected and the stepwell be restored. Because the monument is a government-protected site, all activities are prohibited. We attempted to clean the stepwell but were denied due to the restrictions. The authorities are not taking any action, and we are not permitted to do any cleaning. The situation gets worse during monsoons when the stepwell overflows. The aquifers are still active inside the well, and if it is restored to its original state, water can be provided for the mosque again," Farooqui explained.
Authorities had only placed a concrete sheet over a portion of the stepwell, beneath which was a massive hollow indicating how the stepwell was collapsing on the inside.
Badshahi Ashoorkhana
Badshahi Ashurkhana or Asurkhana or Ashoorkhana is located near Charminar in Hyderabad, Telangana State, India.
An asoorkhana is a public space for Shia Muslims to gather on Muharram and mourn the martyrdom of Imam Hussain, the grandson of Prophet Muhammed, in the battle of Karbala.In 1594, Quli Qutb Shah later ordered that the relic (tauq) be incorporated into an Alam and install it at the old Darulshifa Hospital, now Ashoorkhana-E-Alawa-E- Sartouq Mubarak. Hundreds of devout Muslims visit the ashoorkhana. "The faithful come here in the hope that the water they drink would be beneficial for their health. Thursdays are particularly busy," according to Mir Yaver Ali, the ashoorkhana's caretaker.
Along the adjacent walls lie staggered mosaic hexagons connected by arabesque swirls, and a panel showcasing what’s referred to as the ‘pot of plenty’ with flowers and vegetation emanating from a vase. To my eyes, it also seems to visually represent the overarching theme of the alam and the ashoorkhana being enduring symbols of remembrance.
The royal chronicles of the Qutb Shahi era mention tangible gold alams studded with jewels, but these no longer exist. Nevertheless, impressive brass alams decorated with fine Thuluth script, which post-date the Qutb Shahi period, are now brought out and installed only during the holy month of Muharram.
As per news reports, the caretaker of the ashoorkhana, Mir Abbas Ali Moosavi has been struggling with renovations to the premises due to political interference. But perhaps what is most crucial to preserving the cultural fabric of cities like Hyderabad is an awareness often supported by the research of historians like Lasania and his community of brimming academics of the narratives, art history and architecture that is all around us, coaxing us to seek beauty in structures long-forgotten.
Saidanima’s tomb
The structure’s onion-shaped dome placed over an octagonal base marks the tomb, points out Sibgatullah Khan, an architecture student from the city who runs Deccan Archive. He pointed out that panels of geometric cut plaster stand between the lobed arches, which rest on double baluster columns. The upper chamber of the monument has arches which are clearly drawn from the Qutb Shahi era, whereas the ground floor arches appear to be of Mughal inspiration.
The Saidanima Tomb is one of the state protected monuments in Telangana. Archaeological Survey of India (ASI) in Telangana has identified 500 state protected monuments.
Following is the list of some state protected monuments located in Hyderabad Makkah Masjid
Badshahi Ashurkhana
Old Gate of Dabirpura
Mushirabad Mosque
Toli Masjid
Gunfoundry
Khazana Building
Shamsheerkota
Qutb Shahi Tombs
Tara Mati’s Baradari
Prema Mati’s Mosque
Akkanna’s Sarai
Shaikpet mosque and sarai
Hakim’s Tomb
Paigah Tombs
Dargah Hazratha Saidani-Ma-Saheba
Qutb Shahi Heritage Park
The group of Qutb Shahi tombs constitutes an outstanding example of an Indo-Muslim dynastic necropolis. Although many other Indo-Muslim dynasties also produced such necropolises, that of the Qutb Shahis is unique on three counts. First, it is a more complete dynastic complex than any other in India, as it unites in one location the tombs of five of the dynasty's seven rulers as well as four other identified members of the royal family. Second, its chronological span of 130 years is longer than that of any other documented necropolis in India. Third, because of these first two factors, the necropolis provides unique testimony not only for the stylistic development of Qutb Shahi architecture, but also for the dynastic politics within the family.
Because the Qutb Shahi necropolis includes nine tombs of members of the royal family, all firmly datable by means of their epitaph inscriptions, the complex affords the best controlled means of understanding the developing Qutb Shahi architectural style and its chronology. The earliest tomb-that of the dynasty's founder Sultan Quli (d.1543)-reveals its dependence on late Bahmani traditions of tomb design, while the tomb of the next to last ruler, Abdullah (d.1672) exhibits all of the distinctive qualities of the fully formed Qutb Shahi style. In between, every intermediate stage is represented, and several unusual variants as well, including the tomb of Muhammad Quli (d.1612) with its Iranian-inspired post and beam porticoes (talar), and the so-called tomb of Jamsheed (d.1550) with its unusual two-storeyed octagonal plan.
The complex also provides invaluable evidence shedding light on the nature of dynastic politics within the Qutb Shahi family. Tombs were built not only for the ruling sultans, but also for their wives and consorts, and for sons who were excluded from the succession. The spatial relationships between these various tombs are often highly instructive. Thus, until the 1620s, the original necropolis was confined to the southwestern block of the present enclosure and contained the monumental tombs of Sultan Quli (d.1543), Ibrahim (d. 1580), and Muhammad Quli (d.1612). Additionally, there was the small tomb of Ibrahim's son, Mirza Muhammad Amin (d.1596), which occupied the same terrace as his father's tomb, and numerous smaller tombs lacking inscriptions and most likely belonging to various members of the Qutb Shahi elite. Although this area also contains two structures that are popularly identified as the tombs of the Sultans Jamsheed (d. 1550) and Subhan (d.1550) -with whom Ibrahim fought a succession dispute-neither contains epitaphs confirming this identification, and moreover, they are built in the fully developed style of the mid-seventeenth century, making it impossible that they should belong to these two rulers. At least during the sixteenth century, it would appear that Jamsheed and his son Subhan were excluded from the royal necropolis, as if to deny that their reigns had ever occurred.
In January 2013, an MoU was signed between the Department of Archaeology and Museums (now Heritage Telangana), the Quli Qutb Shah Urban Development Authority, Aga Khan Foundation and the Aga Khan Trust for Culture for conservation and landscape development of the tomb complex. The funds came from AKTC, Tata Trust, US Ambassadors Fund for Cultural Preservation, IndiGo CSR, and the German Embassy. No funds have been sought from the government.
But when you restore a landscape, you don’t just look at the monuments. An exhaustive tree survey was undertaken that mapped 3,300 existing trees covering 72 species. Over 2,000 tree saplings have been planted along the edge of the site to create a natural buffer.
Dakshin Ke Badrinath Temple, Hyderabad
On the first floor is the idol of Lord Badrinath. It will also have idols of Lord Ganesh, Kuber, Balram, Godeess Lakshmi, Nar-Narayan, Narada, and Garuda. Separate temples have been built for Lord Ganesh, Goddess Lakshmi and the Navagrahas in the premises.
Uttarakhand Kalyankari Sanstha for the first time in the history of Hyderabad introducing to the people of Telangana the culture and traditions of Garhwal & Kumaon of Uttarakhand State. The Telangana State is now Karm Bhoomi for nearly 25,000 Uttarakhandi Families residing since four generations.
Dr Babasaheb Ambedkar Statue in Hyderabad
Dr Babasaheb Ambedkar 125-feet tall bronze statue is located adjacent to the State Secretariat on the scenic banks of the Hussain Sagar lake, Ramagundam Rd, Hussain Sagar, Khairtabad, Hyderabad, Telangana State. The Chief Minister had said that India’s tallest statue of Ambedkar, which is next to the State Secretariat, opposite to Buddha statue and located beside the Telangana Martyrs memorial, will inspire people every day and motivate the entire State administration.
Ambedkar Jayanti or Bhim Jayanti is observed on 14 April to commemorate the memory of B. R. Ambedkar, Indian politician and social reformer. It marks Ambedkar's birthday who was born on 14 April 1891. His birthday is also referred to as 'Equality Day' in India.
Apart from its impressive size and design, the statue has several other features that highlight its significance. The surroundings of the statue have been developed as a park, with walking paths, benches, and fountains, making it a pleasant place to spend an evening with family and friends. The statue is also illuminated at night, giving it a completely different appearance and making it a popular spot for night photography.
“The pedestal on which the statue is installed has three floors with a total built-up area of 26,258 sq ft. This structure will house a museum which has several articles and pictures depicting the life history of Ambedkar and a 100-seater auditorium for presenting audio-visuals of Ambedkar’s life. A library will also be built in due course,” the official said.
The entire premises spread over 11 acres has been beautified with landscape and greenery in 2.93 acres, besides providing parking facility for about 450 cars. There are two lifts for visitors reaching the top of the pedestal to reach the feet of Ambedkar.
Interestingly, the statue was designed by renowned sculptors, Ram Vanji Sutar (98) and his son Anil Ram Sutar (65) of Ram Sutar Art Creations in Noida, Uttar Pradesh, who also designed several monumental sculptures, including the world’s tallest statue — the Statue of Unity (597 feet) of Sardar Vallabhbhai Patel in Gujarat.
After graduating from Elphinstone College, University of Bombay, Ambedkar studied economics at Columbia University and the London School of Economics, receiving doctorates in 1927 and 1923, respectively, and was among a handful of Indian students to have done so at either institution in the 1920s. He also trained in the law at Gray's Inn, London. In his early career, he was an economist, professor, and lawyer. His later life was marked by his political activities; he became involved in campaigning and negotiations for partition, publishing journals, advocating political rights and social freedom for Dalits, and contributing to the establishment of the state of India. In 1956, he converted to Buddhism, initiating mass conversions of Dalits.
In 1990, the Bharat Ratna, India's highest civilian award, was posthumously conferred on Ambedkar. The salutation Jai Bhim("Hail Bhim") used by followers honours him. He is also referred to by the nickname Babasaheb, meaning "Respected Father".
Ramji Sakpal retired in 1894 and the family moved to Satara two years later. Shortly after their move, Ambedkar's mother died. The children were cared for by their paternal aunt and lived in difficult circumstances. Three sons – Balaram, Anandrao and Bhimrao – and two daughters – Manjula and Tulasa – of the Ambedkars survived them. Of his brothers and sisters, only Ambedkar passed his examinations and went to high school. His original surname was Sakpal but his father registered his name as Ambadawekar in school, meaning he comes from his native village 'Ambadawe' in Ratnagiri district. His Marathi Brahmin teacher, Krishnaji Keshav Ambedkar, changed his surname from 'Ambadawekar' to his own surname 'Ambedkar' in school records.
In 1907, he passed his matriculation examination and in the following year he entered Elphinstone College, which was affiliated to the University of Bombay, becoming, according to him, the first from his Mahar caste to do so. When he passed his English fourth standard examinations, the people of his community wanted to celebrate because they considered that he had reached "great heights" which he says was "hardly an occasion compared to the state of education in other communities". A public ceremony was evoked, to celebrate his success, by the community, and it was at this occasion that he was presented with a biography of the Buddha by Dada Keluskar, the author and a family friend.
By 1912, he obtained his degree in economics and political science from Bombay University, and prepared to take up employment with the Baroda state government. His wife had just moved his young family and started work when he had to quickly return to Mumbai to see his ailing father, who died on 2 February 1913.
In 1913, at the age of 22, Ambedkar was awarded a Baroda State Scholarship of £11.50 (Sterling) per month for three years under a scheme established by Sayajirao Gaekwad III (Gaekwad of Baroda) that was designed to provide opportunities for postgraduate education at Columbia University in New York City. Soon after arriving there he settled in rooms at Livingston Hall with Naval Bhathena, a Parsi who was to be a lifelong friend. He passed his M.A. exam in June 1915, majoring in economics, and other subjects of Sociology, History, Philosophy and Anthropology. He presented a thesis, Ancient Indian Commerce. Ambedkar was influenced by John Dewey and his work on democracy.
In 1916, he completed his second master's thesis, National Dividend of India – A Historic and Analytical Study, for a second M.A. On 9 May, he presented the paper Castes in India: Their Mechanism, Genesis and Development before a seminar conducted by the anthropologist Alexander Goldenweiser. Ambedkar received his Ph.D. degree in economics at Columbia in 1927.
In October 1916, he enrolled for the Bar course at Gray's Inn, and at the same time enrolled at the London School of Economics where he started working on a doctoral thesis. In June 1917, he returned to India because his scholarship from Baroda ended. His book collection was dispatched on a different ship from the one he was on, and that ship was torpedoed and sunk by a German submarine. He got permission to return to London to submit his thesis within four years. He returned at the first opportunity, and completed a master's degree in 1921. His thesis was on "The problem of the rupee: Its origin and its solution". In 1923, he completed a D.Sc. in Economics which was awarded from University of London, and the same year he was called to the Bar by Gray's Inn.
Ambedkar had been invited to testify before the Southborough Committee, which was preparing the Government of India Act 1919. At this hearing, Ambedkar argued for creating separate electorates and reservations for untouchables and other religious communities. In 1920, he began the publication of the weekly Mooknayak (Leader of the Silent) in Mumbai with the help of Shahu of Kolhapur, that is, Shahu IV (1874–1922).
Ambedkar went on to work as a legal professional. In 1926, he successfully defended three non-Brahmin leaders who had accused the Brahmin community of ruining India and were then subsequently sued for libel. Dhananjay Keer notes, "The victory was resounding, both socially and individually, for the clients and the doctor".
While practising law in the Bombay High Court, he tried to promote education to untouchables and uplift them. His first organised attempt was his establishment of the central institution Bahishkrit Hitakarini Sabha, intended to promote education and socio-economic improvement, as well as the welfare of "outcastes", at the time referred to as depressed classes. For the defence of Dalit rights, he started many periodicals like Mook Nayak, Bahishkrit Bharat, and Equality Janta.
He was appointed to the Bombay Presidency Committee to work with the all-European Simon Commission in 1925. This commission had sparked great protests across India, and while its report was ignored by most Indians, Ambedkar himself wrote a separate set of recommendations for the future Constitution of India.
By 1927, Ambedkar had decided to launch active movements against untouchability. He began with public movements and marches to open up public drinking water resources. He also began a struggle for the right to enter Hindu temples. He led a satyagraha in Mahad to fight for the right of the untouchable community to draw water from the main water tank of the town. In a conference in late 1927, Ambedkar publicly condemned the classic Hindu text, the Manusmriti (Laws of Manu), for ideologically justifying caste discrimination and "untouchability", and he ceremonially burned copies of the ancient text. On 25 December 1927, he led thousands of followers to burn copies of Manusmriti. Thus annually 25 December is celebrated as Manusmriti Dahan Din (Manusmriti Burning Day) by Ambedkarites and Dalits.
In 1930, Ambedkar launched the Kalaram Temple movement after three months of preparation. About 15,000 volunteers assembled at Kalaram Temple satygraha making one of the greatest processions of Nashik. The procession was headed by a military band and a batch of scouts; women and men walked with discipline, order and determination to see the god for the first time. When they reached the gates, the gates were closed by Brahmin authorities.
In 1935, Ambedkar was appointed principal of the Government Law College, Bombay, a position he held for two years. He also served as the chairman of Governing body of Ramjas College, University of Delhi, after the death of its Founder Shri Rai Kedarnath. Settling in Bombay (today called Mumbai), Ambedkar oversaw the construction of a house, and stocked his personal library with more than 50,000 books. His wife Ramabai died after a long illness the same year. It had been her long-standing wish to go on a pilgrimage to Pandharpur, but Ambedkar had refused to let her go, telling her that he would create a new Pandharpur for her instead of Hinduism's Pandharpur which treated them as untouchables. At the Yeola Conversion Conference on 13 October in Nasik, Ambedkar announced his intention to convert to a different religion and exhorted his followers to leave Hinduism. He would repeat his message at many public meetings across India.
In 1936, Ambedkar founded the Independent Labour Party, which contested the 1937 Bombay election to the Central Legislative Assembly for the 13 reserved and 4 general seats, and secured 11 and 3 seats respectively.
Ambedkar published his book Annihilation of Caste on 15 May 1936. It strongly criticised Hindu orthodox religious leaders and the caste system in general, and included "a rebuke of Gandhi" on the subject. Later, in a 1955 BBC interview, he accused Gandhi of writing in opposition of the caste system in English language papers while writing in support of it in Gujarati language papers. In his writings, Ambedkar also accused Jawaharlal Nehru of being "conscious of the fact that he is a Brahmin".
During this time, Ambedkar also fought against the khoti system prevalent in Konkan, where khots, or government revenue collectors, regularly exploited farmers and tenants. In 1937, Ambedkar tabled a bill in the Bombay Legislative Assembly aimed at abolishing the khoti system by creating a direct relationship between government and farmers.
Ambedkar served on the Defence Advisory Committee and the Viceroy's Executive Council as minister of labour. Before the Day of Deliverance events, Ambedkar stated that he was interested in participating: "I read Mr. Jinnah's statement and I felt ashamed to have allowed him to steal a march over me and rob me of the language and the sentiment which I, more than Mr. Jinnah, was entitled to use." He went on to suggest that the communities he worked with were twenty times more oppressed by Congress policies than were Indian Muslims; he clarified that he was criticizing Congress, and not all Hindus. Jinnah and Ambedkar jointly addressed the heavily attended Day of Deliverance event in Bhindi Bazaar, Bombay, where both expressed "fiery" criticisms of the Congress party, and according to one observer, suggested that Islam and Hinduism were irreconcilable.
After the Lahore resolution (1940) of the Muslim League demanding Pakistan, Ambedkar wrote a 400-page tract titled Thoughts on Pakistan, which analysed the concept of "Pakistan" in all its aspects. Ambedkar argued that the Hindus should concede Pakistan to the Muslims. He proposed that the provincial boundaries of Punjab and Bengal should be redrawn to separate the Muslim and non-Muslim majority parts. He thought the Muslims could have no objection to redrawing provincial boundaries. If they did, they did not quite "understand the nature of their own demand". Scholar Venkat Dhulipala states that Thoughts on Pakistan "rocked Indian politics for a decade". It determined the course of dialogue between the Muslim League and the Indian National Congress, paving the way for the Partition of India.
In his work Who Were the Shudras?, Ambedkar tried to explain the formation of untouchables. He saw Shudras and Ati Shudras who form the lowest caste in the ritual hierarchy of the caste system, as separate from Untouchables. Ambedkar oversaw the transformation of his political party into the Scheduled Castes Federation, although it performed poorly in the 1946 elections for Constituent Assembly of India. Later he was elected into the constituent assembly of Bengal where Muslim League was in power.
Jagjivan Ram's wife Indrani Jagjivan Ram wrote in her memoir that Ambedkar persuaded her husband to ask Mahatma Gandhi for his inclusion in Nehru's cabinet in independent India. Initially, Jagjivan Ram consulted Vallabhbhai Patel before asking Gandhi to recommend Ambedkar to Nehru for inclusion in cabinet, adding that Ambedkar had "given up his antagonism to Congress and Gandhiji". Ambedkar was ultimately included as the law minister of India in the First Nehru ministry after Gandhi recommended his name to Nehru.
Ambedkar contested in the Bombay North first Indian General Election of 1952, but lost to his former assistant and Congress Party candidate Narayan Kajrolkar. Ambedkar became a member of Rajya Sabha, probably an appointed member. He tried to enter Lok Sabha again in the by-election of 1954 from Bhandara, but he placed third (the Congress Party won). By the time of the second general election in 1957, Ambedkar had died.
Ambedkar also criticised Islamic practice in South Asia. While justifying the Partition of India, he condemned child marriage and the mistreatment of women in Muslim society.
No words can adequately express the great and many evils of polygamy and concubinage, and especially as a source of misery to a Muslim woman. Take the caste system. Everybody infers that Islam must be free from slavery and caste. [...] [While slavery existed], much of its support was derived from Islam and Islamic countries. While the prescriptions by the Prophet regarding the just and humane treatment of slaves contained in the Koran are praiseworthy, there is nothing whatever in Islam that lends support to the abolition of this curse. But if slavery has gone, caste among Musalmans [Muslims] has remained
On 25 November 1949, Ambedkar in his concluding speech in constituent assembly said:
"The credit that is given to me does not really belong to me. It belongs partly to Sir B.N. Rau the Constitutional Advisor to the Constituent Assembly who prepared a rough draft of the Constitution for the consideration of the Drafting Committee."Indian constitution guarantees and protections for a wide range of civil liberties for individual citizens, including freedom of religion, the abolition of untouchability, and the outlawing of all forms of discrimination. Ambedkar was one of the ministers who argued for extensive economic and social rights for women, and won the Assembly's support for introducing a system of reservations of jobs in the civil services, schools and colleges for members of scheduled castes and scheduled tribes and Other Backward Class, a system akin to affirmative action. India's lawmakers hoped to eradicate the socio-economic inequalities and lack of opportunities for India's depressed classes through these measures. The Constitution was adopted on 26 November 1949 by the Constituent Assembly.
Ambedkar expressed his disapproval for the constitution in 1953 during a parliament session and said "People always keep on saying to me "Oh you are the maker of the constitution". My answer is I was a hack. What I was asked to do, I did much against my will." Ambedkar added that, "I am quite prepared to say that I shall be the first person to burn it out. I do not want it. It does not suit anybody."
Statue of Equality (Ramanuja)
Died : 1137 AD, Shrirangam
Ramanujas Teachings
Ramanuja produced a number of treatises, or essays, on Hindu theology. Many of these treatises were on Hindu sacred texts, including the Bhagavad Gita and the Vedas, Hinduism's chief sacred scripture. Others were manuals for his followers. In these treatises and in his teachings Ramanuja challenged many of the core beliefs of Hinduism as it was practiced at the time. Such challenges were why such people as Yadava opposed him so vigorously.
Ramanuja began with the belief that one cannot have knowledge about anything unless that thing has characteristics that make it different from other things. If humans claim to know something about an object, then that implies that the object has characteristics. Ramanuja applied this principle to knowledge of God. If humans are to reach God, they have to somehow know God, as much as possible. To know God implies that God has form and characteristics and is different and separate from the human soul and from physical creation.
Ramanuja also believed in "personality," that is, the idea that all things in creation are different. Thus, each person's soul would be different. Because each soul is different, each has to have free will. Otherwise, without freedom of will, souls could not be manifestations of God, or indications of God's existence. In Ramanuja's view the only way that God and humans could have a relationship that made any sense was if God gave people the freedom to choose. The human soul could not in any meaningful way serve God if it was not free to do so.
Both Ramanuja and his successor, Madhva, were strong supporters of the bhakti movement, a loosely organized movement of Hindu sects that emerged in medieval India. The word bhakti comes from the Sanskrit word bhaj, which means something like "to revere or adore." The word bhakti, therefore, is usually translated into English as "devotion." The meaning the word suggests is much deeper, however, signifying a total, intense devotion to God. It refers to both an attachment to God and a way of reaching God. It was through bhakti that Hindu Indians overcame divisions of birth, caste, gender, and race to become a united people.
The original bhakti movement had a significant influence on Indian religion and society. Over the centuries, many figures preached the principle that bhakti was the only way to achieve salvation, which led to several large-scale bhakti movements. One of these figures was Ramanuja.
Total height of Statue of Ramanuja – 108 ft.
Total height of Bhadra Vedi – 54 ft.
Total height of Padma Peetam – 27 ft.
Total height of Thridandam – 135 ft.
Number of Lotus petals – 54
Number of Elephants under Lotus – 36
Number of Sankhas and Chakras – 18 + 18 = 36
Educational gallery featuring exhibits about the inspiring life story of Ramanujacharya.
A library with all the Vedic scriptures
Auditorium for seminars and panditha sabhas.
Omnimax theatre for different shows. (coming soon)
A few reminiscences of Ramanujacharya’s life will come alive through technology.
Replicas of 108 Divya Desams around Ramanujacharya Swamy – built in stone, rich with ornate architectural detailing and accompanied with audio guides explaining
The history of these temples as sources of inspiration.
Inside the Bhadra peeta, a 120 kgs gold statue, swarna murthy, of Ramanujacharya swami will evoke mystical devotion in our hearts, outpouring in prayers.
This devotion will take the form of Abhisheka through a musical fountain, paying obeisance to him.
Mukhamandapam, a common corridor for all 108 Divya Desas.
Serve society which is the universal form of God.
Nobody is infallible.
Do not humiliate anyone.
What is of supreme importance is purity of mind and deed
As a result, Ramanuja believes that God, soul, and matter are all real. The inner substance, on the other hand, is God, and the rest are his qualities.
As in dualism, the universe and Brahman are considered two equally real entities in Vishishta Advaita Vada, but the universe is generated out of Brahman rather than being separate from it.
The Brahman is regarded as a personal god with omniscience who created the universe from himself.
As a result, the world bears the relation of the portion to the whole or the relation of a 'qualified consequence' to the base to Brahman.
Brahman is the sea, and the objects of the world, both living and nonliving, are the waves upon this sea, according to the famous analogy.
Brahman, according to Ramanuja, is a completely personal god who is thought to be Vishnu or one of his avatars. Vishnu, he believed, created the universe out of his love for people, and he also ruled over it at every turn.
He also believed that Vishnu possesses all of the characteristics of a personal god, such as omniscience and omnipotence.
The difference between Dualism and Vishishta Advaita is that "mankind has a greater rank and is closer to God than in pure dualistic worship."
Both the universe and Brahman are equally existent in Vishishta Advaita, they have not considered two independent realities as they are in Dualism.
Ramanuja was a proponent of prabattimarga or self-surrender to God. He preached Bhakti redemption and welcomed underprivileged people to Vaishnavism.
Sribhashya, Vedanta Dipa, Gita Bhasya, and Vedantasara are some of his works.
Vedartha-Sangraha - The concepts of Visishtadvaita, a reconciliation of various competing sruthis, are presented in this text.
Sri Bhashya - A comprehensive commentary on the Vedanta Sutras.
Sri Bhashyam, the greatest commentary on the Brahma Sutras, is Sri Ramanuja's magnum opus.
This magnificent contribution was one of three desires granted by Sri Ramanujacharya for His respected mentor and Guru Sri Yamunacharya, who died before seeing Sri Ramanuja in person.
Gita-Bhasya - An in-depth analysis of the Bhagavad-Gita.
Vedanta-Dipa - A synopsis of the Vedanta Sutras.
Vedanta-Sara - A concise commentary on the Vedanta Sutras intended for novices.
Saranagati-Gadyam - A prayer of complete surrender to Lord Srimannarayana's lotus feet.
Sriranga-Gadyam - Self-surrender manuals to Lord Vishnu.
Sri Vaikunta-Gadyam - Describes Sri Vaikuntha-Loka and the freed souls' status.
Nitya-Grantha - A brief guidebook designed to guide devotees through day-to-day prayer and activities.
Contributions
Contributions of RamanujaHis ultimate goal was to instill the Vedic way of life throughout society. He was a saint who spread the message of universal brotherhood.
He accepted the untouchables and treated them as if they were special. Seeing his love for the afflicted, His ecstatic guru bestowed upon him the coveted title " Em-perum- anar," which means " you are ahead of us."
Subjugated classes were given the term Thirukkulathar-Born Divine by Sri Ramanuja.
The Sri Vaishnava Sampradaya is a brilliant system devised by Ramanujacharya as a permanent tie to unite the universe's diverse people through mutual respect and equality, uniting the entire world in one spiritual bond.
Ramanujacharya's social philosophy was intended to transcend the caste system and include all of humanity.
As a result, he has been hailed as a great religious and social genius, and the title "Bhagwad" has been appropriately bestowed upon him.
From temple spires, he revealed the secret, important knowledge, and true substance of the Vedas to the average man.
He created the proper processes for rites done in temples all over India, the most notable of which are Tirumala and Srirangam. He wrote many commentaries on our Vedic classics.
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VISITING HOURS
Monday to Friday
Hours: 11:00 am – 08:00 pm
Saturday and Sunday
Hours: 11:00 am – 08:30 pm
Closed: Every Wednesday
Kanha Shanti Vanam
During your visit to Kanha, you can experience Yoga Asanas that bring you closer to yourself with the Heartfulness Yoga Teachers. We have a meditative approach to Yoga that allows us to explore the physical, mental and spiritual all at once. Heartfulness Yoga brings you this full spectrum of Yoga by creating a seamless flow between asanas and meditation in every class.
The uniqueness of Yogic Transmission is at the heart of our practice; each program exposes you to the exclusive experience of the Heartfulness practices, all designed to carry you deeper in your journey.
To Know More yoga@heartfulness.org
Looking for a Luxurious Stay?
The Pearl hotel is for you. A 4-Star hotel located within the Kanha premises. The Pearl offers you an enriching experience to relax your senses and rejuvenate your being. From INR 5000
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Meditation Hall
Auditorium
Conference Hall
Medical Centre
Gym
Children's Park
Pottery Studio
Books and More
Convenient store
Goshala (Shelter for Cattles)
Heartyculture
Dining Hall
Kanha houses a large dining hall that provides simple and light meals for free 3 times a day, 365 days of the year. Satvik and healthy vegetarian food is cooked and served to all residents and visitors who wish to dine here. Simple and healthy vegetarian food is cooked and served with love to all residents and visitors who wish to dine here.
Fausto's
Suruchi Cafe
Suruchi Cafe is a spacious modern cafeteria in Kanha, serving regular meals thrice a day. It also offers on sale a variety of mouth-watering cuisines, bakery items and confectioneries. Some of the cuisines that the cafe serves, are North Indian, South Indian, and Chinese.
Jagannath Temple, Hyderabad
The idea of the Temple at the present location at Hyderabad was mooted in 1992 by a small group of Odias having deep reverence for "Lord Jagannath the highest expression of God and symbol of cosmic energy. Years passed by Homas, Yagnas, Pujas, Kirtans to invoke blessings of the Lord for construction of the Holy Temple went futile. Time was probably not ripe and God not unwilling. It was only in 2004; a series of unexpected development resulted in commencement of construction of the magnificent Temple as Artisans & Sculptors landed up on their own to complete the mission as if ordained by God. More than 100 devoted workers toiled for about five years and the construction of the main Temple and Temple for Lord Ganesh, Anjaneya Swamy, Maa Vimala, Maa Laxmi, Lord Shiva and Nabagrah was completed in March 2009. The Temple replicates the Puri Jagannath Temple with Vimana/Devla (Garbha Gruha), Mukhashala (Jagan Mohan), Nata Mandir (dancing hall) and Bhoga mandap (offering enclave). The intricate stone carvings, craftsmanship, sculptures of the temple arouse unique aesthetic feelings in devotees. The upa-Devalayams are equally spectacular and arouses spiritual feelings. The mythological and religious murals on the boundary wall consisting of history of construction of the Jagannath temple at Puri, Dasha Avatar and mysteries and miracles of God and Goddesses in different form and stage are educative and enlightening. The lighting of the temple has been artistically planned and gives a spectacular appearance at night.
Shree Jagannath i.e. Jagat (the universe), Nath (the Lord) the Lord of the Universe is the manifestation of knowledge, power, majesty, strength, energy and self-sufficiency. He is the remover of sin, savior of the fallen soul and giver of salvation. Lord of the masses and Lord of the suffering humanity, He responds to all beyond the barrier of the caste, creed, religion faith and race.
The Temple with beautiful murals, intricate architecture, serene ambience and abundant spirituality attract huge visitors and also is a sought after destination for pilgrims on important occasions. Jagannath Nilayam, constructed by the Trust adjacent to the Temple provides excellent accommodation to the Temple staff and volunteers associated with the temple activities. CHAKADOLA- A unique Light and Sound Show on Jagannath Cult introduced in 2018 in the premises of the temple has been the cynosure of all activities associated with the temple. Created through a distinct Video Mapping Technology, it takes the viewers through the breath-taking journey of evolution of the Jagannath Cult. The Mahaprasad offered in the temple premises provides a heavenly experience to the taste buds of the devotees.
Architecture and Upa Devalayams
The Temple is a replica of original Lord Jagannath Temple located at Shree Kshetra Puri with sanctum sanctorum (Vimana), the Mukhashala (Jagan Mohan), the Nata Mandir (Dancing Hall) and the Bhoga Mandir (the offering conclave). The Temple premises also pride itself with Upa devalayams and shrines of Lord Ganesh, Lord Kasi Viswanath, Maa Vimala, Maa Laxmi, Lord Hanuman and the Navagrahas.
The Temple is impressive standing tall at 72 ft as against 214 ft at Puri with intricate stone carvings, sculptures arousing aesthetic and divine feeling in devotees. The Temple is built by master craftsmen using tons of sand stone brought from Odisha and cement brick and mortars. The shrines of Lord Shiva (Kasi Viswanath), Lord Ganesh, Maa Vimala, Maa Laxmi, Shree Anjaneya Swamy and Navagrahas enclave are beautifully structured built with similar architectural aesthetics of Konark Temple. The Temple is spread over about 2500 sq yards as against 10.7 acres of Jagannath Dham Puri and facing east. There is enough circulation space around the Temple for "Pradakshana" by devotees.
The craftsmanship, carvings and murals on mythological themes on the compound wall of the Temple are unique and gives lot of insights in to several religious references and anecdotes. A very well maintained Temple with exemplary cleanliness is visited by thousands of devotees during week days and festivals. In a short period this temple has also become one of the best destinations for the tourist visiting Hyderabad.
The temple environment is very serene tranquil and peaceful. The cleanliness and sanctity is to be experienced. The vibrations touch the soul of the devotees especially on a visit in the morning or evening. A committed team of volunteers, karsevaks, archakas and executives keep alive the temple traditions of Odisha to the delight of devotees.
The main temple is curvilinear and crowing the top is Srichakra or Nilachakra (an eight spoke wheel of Vishnu) made out of Ashtadhatu and is considered sacrosanct.
The pyramidal roof of surrounding temple rise in steps towards the tower like a ridge of mountain peak.
Five other Holy Shrines of Lord Kasi Viswanath, Ganesh, Maa Vimala, Laxmi and Anjaneya Swamy and the mandapam of Navagraha which are also located within the premises resembles the architectural beauty of the main temple like a mountain with ridges like steps. Some devotees find resemblance of these temples with pagoda shape of remains of the famous Sun Temple of Konark in Odisha. The sculpture and designs are very impressive and are viewers delight. These temples get illuminated during the nights. The idols of deities are of stone unlike that of the triad of Lord Jagannath, Balabhadra and Subhadra made out of wood. The stone idols are cladded with silver ornaments during festive occasions. Devotees have the scope for Pradakshyana around each of the temple. Sufficient circulation area is available in front of each of these temples for free movement of devotees. These temple timings are co-terminus with the timings of the main temple.
UPA-Devalayas: (Other shrines)
Five other Holy Shrines of Lord Kasi Viswanath, Ganesh, Maa Vimala, Laxmi and Anjaneya Swamy are located within the premises of Lord Jagannath temple. The mandapam of Navagraha is also located within the premises. These upa-devalayams resembles the architectural beauty of the main temple like a mountain with ridges like steps. Some devotees find resemblance of these temples with pagoda shape of remains of the famous Sun Temple of Konark in Odisha. The sculpture and designs are very impressive and are viewers delight. These temples get illuminated during the nights. The idols of deities are of stone unlike that of the triad of Lord Jagannath, Balabhadra and Subhadra made out of wood. The stone idols are cladded with silver ornaments during festive occasions. Devotees have the scope for Pradakshyana around each of the temple. Sufficient circulation area is available in front of each of these temples for free movement of devotees. These temple timings are co-terminus with the timings of the main temple.
Significant Structure
COMPOUND WALL (The Meghanada pacheri): The Main temple and other shrines of Lord Ganesh, Kasivishwanah, Maa Laxmi, Bimala, Anjaneya swamy and Navagrahas are surrounded by wall adorned with mythological and religious Murals. The Murals are excellent pieces of art and are educative. The murals on the exterior wall near eastern gate- the singha dwara depict the story of construction of Jagannath temple in additions to several other depictions. The Dasavatar is one of the best attractions on the inside of the outer wall.
Dwaras (Entrances)
SIMHA DWARA: (Lions Gate or eastern gate) - It is one of the four entrances to the temple and considered the main entry. It is named so as on either side there are two colossal statues of couching lion with crowns on their head. The gate faces east and therefore is also known as Purva Dwara or the eastern gate. The gate is intricately designed and carved and is of artistic finery and beauty. During Ratha Jatra the idols of Lord Jagannath, Balabhadra and Maa Subhadra is taken out to the chariot through this gate. The statue of Lord Mahalaxmi is at the top of the door. The door symbolizes the principle of Dharma and also the majesty of strength through the lion.
VYAGHRA DWARA: The Western door (Tiger gate) is guarded by two statues of Tiger is also known as Paschima dwara or Vyaghra dwara. It symbolizes Mokshya and Vairagya (Renunciation) and energy by different schools of believers.
HATHI DWARA: The northern door, the hathi dwara or Uttara Dwara is also symbolically indicated in this temple in view of constraint of access to temple from Northern side. This gate represents artha or prosperity different believers.
ASWA DWARA: The southern gate is guarded by two statues of horses. This Aswa dwara symbolically represent Kama or Gyana (Knowledge) or military powers.
Navagraha statues are placed on the all the gates in addition to small images of Shiva, Vishnu, Hanuman, Durga and Narasimha.
ARUNA STAMBHA: The pillar is named after Aruna the charioteer of the Sun God. In Puri it is a sixteen sided pillar (Height 25' 2'') circumference 6' 3.5". Aruna in prayer mode. An elegant and master piece of art.
It is placed before the temple as the Sun God is considered identical with Vishnu from Vedic times.
An Aruna stamba cladded with carved and designed brass plates adorn the Jagannath Temple at Hyderabad. Artistic and imposing it stands tall at 20 feet.
BAISI PAHACHA (Twenty two steps):
After entering the temple premises from the eastern gate one needs to climb 22 steps to proceed towards sanctum sanctorum of Lord Jagannath. In Puri temple each of these steps are 70ft in length 6ft in width and 6 to 7 inches in height. Here the steps are symbolic and does not confirm to this measurement. The steps are given a lot of divine significance and considered auspicious for numeracy holy activities. It is believed that during the car festival several Gods, Goddesses, demigods heavenly entities, souls of ancestors, Chitragupta and Yamadootas descend upon these steps to witness the Pahandi of Lord Jagannath during the Ratha Jatra/ Car festival.
Madan Mohan the representative idol of Lord Jagannath offers pindadana on these steps to His ancestors-Nanda and Yashoda, Devaki and Vasudeva, Koushalya and Dasaratha on chaturdashi theethi of the dark fortnight in the month of Margasira. He also offers pindadana to King Indradyumna who built the temple and queen Gundicha since they were childless. The steps are also called steps of self control as these steps represent 22 kinds of faults and weaknesses in human being.
Put a speck of dust from the surface of these steps on your forehead you get a sense of fulfillment and all your sins will disappear.
Children are made to roll down on the steps to bring them spiritual bliss and happiness.
Each of these sacred steps is named differently as:
1) Tidva 2)Kumundati 3) Manda 4) Chalobati 5)Dayabati 6) Rajani 7) Ratika 8) Raohi 9)Krodha 10)Bajrika 11)Prasavani 12) Priti 13)Marjana 14)Khati 15)Rakta 16)Sandhipani 17)Alapani 18)Mandanti 19)Rohini 20) Gamya 21)Ugra 22)Khorini
Crossing of 22 steps means crossing the 22 short comings to see the Lord. The short comings (Para Prakriti) are Kama, Sambhoga, Keli, Lova, Sancaya, Kosa or Panjikarana, Abhamaya, Himsa, Ersa, Kisunata, Kapata, Mithya, Hhuna, Ninda, Ajanta, Krodha , Raga, Dvesa, Ahankar, Mada or Parba, Uthkantha, Maithuna.
It is also believed that Baikuntha the abode of Lord Vishnu is situated above saptaloka, sapta patala and asta baikuntha (22 stages) one has to cross them to reach the Lord. Thus the steps in the temple to take the devotees to sanctum to have his Darshan.
Hyderabad temple also has 22 steps leading to Garuda stamba and to sanctum there after though not of same specification as that of Puri Temple.
GARUDA STAMBHA: Cosmic column which joins heaven and earth. Garuda is a vehicle of Lord Vishnu. Garuda is ever ready to serve the Lord with exemplary devotion and extraordinary power. Garuda is constantly watching the Lord on the Ratnavedi. Garuda Deva is installed on the column made out of wood and cladded with intricately woven brass at the entrance of Nata Mandir. The devotees before proceeding towards the sanctum touch and go into extraordinary devotion and a state of surrender to the Lord. A mere touch is assuring and arouses a cosmic connect with the devotee. Garuda Stambha is of same importance as Nandi in Shiva temple.
NILA CHAKRA: The Neela chakra or the Blue Wheel adorns the top of the temple. The wheel symbolizes the Sudarshan Chakra, the most powerful disc weapon of Lord Vishnu. The wheel is made out of alloys of eight metals consisting of iron, copper, Zinc, mercury, lead, brass, silver and gold.
The Neela chakra in Puri temple weighs 2200 Kgs and has a height of 11 ft 8 inches with a diameter of 7ft 6inches. There are 8 wheel bars in the chakra. The Neela chakra has eight Navagunjaras carved in the outer circumference all facing towards the flag post above. The Neela chakra in this temple is much similar but small in size and about 2'X3' in width and height and weighs about 100 Kgs.
Flag is flown tied to the mast attached to Nilachakra. It is a pious and holy act to offer the flags to the temple. The flags usually are in deep red or yellow in colour with crescent Moon and a Sun in white colour cloth in centre of flag. The flag changing ceremony is a breath taking exercise and a great attraction for the devotees.
Emergence of Lord Jagannath
According to Mahabharata, the Kurukshetra war resulted in the death of all the 100 sons of Gandhari. On the night before Duryodhana's death, Lord Krishna visited Gandhari to offer condolences. Gandhari felt that Lord Krishna knowingly did not put an end to the war. In a fit of rage and sorrow Gandhari cursed that Krishna along with everyone else from "Yadu" dynasty would perish after 36 years. Krishna himself knew and wanted this to happen as he felt that Yadavas have become "Adharmi" so he ended Gandhari's speech by saying Thathastu.
Later at a festival fight broke out between Yadavas who killed each other. His elder brother Balaram gave up his body using Yoga. Krishna retired into the forest and started meditating under a tree. The hunter"Jara Sabar" mistook Krishna's partly visible left foot for that of a Deer and shot an arrow wounding and killing him. When Jara realized he wept for the mistake on which Krishna told Jara "O Jara you were Vaali in your previous birth, killed by myself as Rama in Tretaya Yuga. You are reincarnated as hunter in Dwapara Yuga and had a chance to revenge your killing and since all acts are desired by me you need not worry for this.
On hearing this terrible news the five Pandava brothers quickly arrived on the scene. Lord Krishna gave them some good advices and took away heavenly power of Krishnakala from Arjun the best of Archer when Arjun pulled out the arrow from the wounded Lord Krishna. Lord Krishna left his mortarial body. The Pandavas carried the body to the Bay of Bengal and cremated there. The whole body was destroyed except for the heart which remained intact and indestructic. The body was thrown in to the sea.
Jara was watching the scene of obsequies in agony. He followed this unburnt part thrown in to the sea emanating brilliant luster, but finally able to fetch it. He was surprised that unburnt part had turned into blue stone. This blue stone was worshipped by him in a cave secretly and thereafter by his family heads in succession and continued till Sabar chief Viswabasu.
Nilamadhav was worshipped in secrecy and in deep forest. Even "Devatas" used to come at night and worship Lord Nilamadhav.
In the meanwhile Raja Indradyumna (Indradyumna a legendary figure and his historicity cannot be established on any safe frowned). King of Solar dynasty in Satyayuga ruling the city of Avanti an Malaya a great devotee of Lord Vishnu came to know of Nilamadhav and wanted to consecrate the extraordinary deity of Lord Vishnu. He deputed Brahmi Priest Vidyapati who married the daughter of Sabar Chief stain and marked the route to the cave through mustard seeds while being taken blind folded where Nilamadhav was being worshipped. After locating the route he returned to Avanti and informed the king Indradyumna about Nilamadhav. The King with his army accompanied by "Narada" marched to the secret spot. Furious King imprisoned "Viswabasu" the tribal chief and began his return disappointed. Crest fallen devotee of Lord Vishnu received a divine message to free the tribal chief and perform Ashwamedha Yagna. Narada assured the king of Lords blessing.
The King went to Nilagiri and performed the Yagnam. Lord Nilamadhav appeared in dream to King Indradyumna and informed Lord will appear in the form of Daru (Log of sacred wood) in the sea.
"I will manifest in the form of a very large fragrant, reddish log and the signs of Shanka, Chakra, Gada, Padma will be seen everywhere on that form. Go and take me out and make four deities and then you will be able to worship me. "On the next day the king got information about the floating of Daru with four branches.
The Daru was brought and placed on 'Mahavedi'. When Narada was discussing about crafting of deities a divine voice announced that the God himself will prepare his own image. While the king was thinking about this an old carpenter (said to be Lord himself in form of Viswakarma) appeared and offered to prepare the idol on condition that the door of the temple should remain shut and no one should enter or disturb for 21 days inside the temple. The king agreed to this condition. After 15 days when no sound of construction of image came from the room, the king and queen being impatient and doubtful opened the door and found the images remains unfinished and the carpenter has disappeared. In the meanwhile a heavenly voice declared "Oh king dress these four deities with silken garments and establish the deities on "Mahavedi". Accordingly the king worshipped the Lord Jagannath, Balabhadra, Subhadra and Sudarshan uttering three "Suktas of the Rig Veda" which are symbols of Brahman. From that day traditional has associated with worship of deities at Purushottam known with the names of Madhav, Mahabahu, Padmalochan, Kala Thakura Chakanayan etc.,
Shree Jagannath Mahaprabhu รข€“ the Lord of the Universe is the "Patitapabana" the savior and solace of the down trodden, the believer and the dependent. He is the Lord of Universe. A symbol of cosmic energy the highest expression of God. He is the manifestation knowledge, power, majesty, strength, energy and self sufficiency. He is the remover of sin, savior of the fallen soul and giver of salvation. Lord of the masses and Lord of the sufficiency humanity.
Jagannath is worshipped as Narayana (the cosmic sustainer of Universe or Vishnu when on Ratna Vedi in the sanctum sanctorum, as Ganesh (the destroyer of all obstacles) when on Snana Vedi during Snana festival as Rudra an expression of Shiva (the cosmic destroyer of Universe) during Nava kalevara Ceremony, as Durga (the source of all energy in the Sayana festival and as Surya (the synthesis of cosmic trio) when in the chariot during the Car festival.
Lord Jagannath responds to all beyond the barrian of caste, creed, religious faith and race. Jagannath as a form of Vishnu is non sectarian though there are several common aspects with Vaishnavism, Saivism, Shaktism, Smartism, Buddhism and Jainism.
Lord Jagannath is Avatari and not merely an Avatar of Vishnu. The Avatar (incarnation) emanates from him is the cause of all material creation. The Avatars after their cosmic play dissolute (Bilaya) in him (Jagannath). All the Avatars take their births for Lilas in this universe and at the end would merge in the self of Purna Brahma.
Lord Jagannath is Anantha (infinity, has no end) is Alekha (beyond description), Anadi (has no beginning, has life beyond evolution), Anam (without name) Nirguna (without attributes) Niranjan (without Stigma) Nirakara (without form). He is Purna Brahma, Sunya Purusa. He is Jagabandhu, the friend of the Universe.
Shree Jagannath is believed to a form of Vishnu and Lord Srikrishna. (Lord Jagannath is the Avatari i.e. cause of Avatars and not merely an Avatar). The Avatars after their cosmic play dissolute (Boliya) in him (Jagannath). Avatars take their birth for Lilas in this universe and would merge in the self of Purna Brahma. Legendary origin of Lord Jagannath is traced to Mahabharat.
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